A Concise Companion to Shakespeare on Screen

<p>Acknowledgments vii</p>
<p>Notes on Contributors viii</p>
<p>Bibliographical Note xi</p>
<p>Chronology xii</p>
<p>Introduction: Through a Camera, Darkly 1<br />Diana E. Henderson</p>
<p>1 Authorship: Getting Back to Shakespeare: Whose Film is it Anyway? 8<br />Elsie Walker</p>
<p>2 Cinema Studies: Thou Dost Usurp Authority : Beerbohm Tree, Reinhardt, Olivier, Welles, and the<br />Politics of Adapting Shakespeare 31<br />Anthony R. Guneratne</p>
<p>3 Theatricality: Stage, Screen, and Nation: Hamlet and the Space of History 54<br />Robert Shaughnessy</p>
<p>4 The Artistic Process: Learning from Campbell Scott s Hamlet 77<br />Diana E. Henderson</p>
<p>5 Cinematic Performance: Spectacular Bodies: Acting y nCinema y nShakespeare 96<br />Barbara Hodgdon</p>
<p>6 Gender Studies: Shakespeare, Sex, and Violence: Negotiating Masculinities in Branagh s Henry V<br />and Taymor s Titus 112<br />Pascale Aebischer</p>
<p>7 Globalization: Figuring the Global/Historical in Filmic Shakespearean Tragedy 133<br />Mark Thornton Burnett</p>
<p>8 Cross–Cultural Interpretation: Reading Kurosawa Reading Shakespeare 155<br />Anthony Dawson</p>
<p>9 Popular Culture: Will of the People: Recent Shakespeare Film Parody and the Politics of Popularization 176<br />Douglas Lanier</p>
<p>10 Television Studies: Brushing Up Shakespeare: Relevance and Televisual Form 197<br />Roberta E. Pearson and William Uricchio</p>
<p>11 Remediation: Hamlet among the Pixelvisionaries: Video Art, Authenticity, and Wisdom in Almereyda s<br />Hamlet 216<br />Peter S. Donaldson</p>
<p>Afterword: Unending Revels: Visual Pleasure and Compulsory Shakespeare 238<br />Kathleen McLuskie</p>
<p>Select Bibliography 250</p>
<p>Index 253</p>