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Art as Performance

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Paperback, 292 blz. | Engels
John Wiley & Sons | e druk, 2003
ISBN13: 9781405116671
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John Wiley & Sons e druk, 2003 9781405116671
Onderdeel van serie New Directions in Aesthetics
Levertijd ongeveer 9 werkdagen
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Samenvatting

In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.

Elaborates and defends a broad conceptual framework for thinking about the arts.
Offers a provocative view about the kinds of things that artworks are and how they are to be understood.
Reveals important continuities and discontinuities between traditional and modern art.
Highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.

Specificaties

ISBN13:9781405116671
Taal:Engels
Bindwijze:paperback
Aantal pagina's:292

Inhoudsopgave

Preface.
<p>1. Introduction:.</p>
<p>Challenges to Aesthetic Empiricism.</p>
<p>Methodological Interlude: The Pragmatic Constraint on the Ontology of Art.</p>
<p>Aesthetic Empiricism and the Philosophy of Art.</p>
<p>2. Aesthetic Empiricism:.</p>
<p>Indirect Arguments Against Aesthetic Empiricism.</p>
<p>3. The Fine Structure of the Focus of Appreciation:.</p>
<p>The Structure of the Focus of Appreciation.</p>
<p>4. The Artwork as Performance: An Argument from Artistic Intentions:.</p>
<p>Overview.</p>
<p>The Bearing of Provenance on Work and Focus.</p>
<p>Artistic Intentions and the Ontology of Art.</p>
<p>Interpretation and Intention.</p>
<p>A Role for Actual Intentions.</p>
<p>Ontological Implications.</p>
<p>Conclusions.</p>
<p>5. Provenance, Modality, and the Identity of the Artwork:.</p>
<p>Preliminaries.</p>
<p>6. Artwork, Action, and Performance.</p>
<p>7. Art as Performance:.</p>
<p>Elaborating the Performance Theory.</p>
<p>Structure and Focus.</p>
<p>Heuristics and the Individuation of Artworks.</p>
<p>Work–Constitution and Modality on the Performance Theory.</p>
<p>Performances, Actions, and Doings.</p>
<p>8. Revisionism and Modernism Revisited.</p>
<p>9. Performance as Art.</p>
<p>10. Defining Art as Performance, and the Values of Art:.</p>
<p>Notes Towards a Definition of Art .</p>
<p>The Values of Art.</p>
<p>Conclusions: The Case Against Contextualism.</p>
<p>References.</p>
<p>Index</p>

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