Media Industries – History, Theory, and Method
History, Theory, and Method
Samenvatting
Media Industries: History, Theory and Method is among the first texts to explore the evolving field of media industry studies and offer an innovative blueprint for future study and analysis.
capitalizes on the current social and cultural environment of unprecedented technical change, convergence, and globalization across a range of textual, institutional and theoretical perspectives
brings together newly commissioned essays by leading scholars in film, media, communications and cultural studies
includes case studies of film, television and digital media to vividly illustrate the dynamic transformations taking place across national, regional and international contexts
Specificaties
Inhoudsopgave
<p>Acknowledgments viii</p>
<p>Notes on Contributors ix</p>
<p>Introduction: Does the World Really Need One More Field of Study? 1<br /> Jennifer Holt and Alisa Perren</p>
<p>Part I: History 17</p>
<p>Editors′ Introduction 19</p>
<p>1 Nailing Mercury: The Problem of Media Industry Historiography 21<br /> Michele Hilmes</p>
<p>2 Manufacturing Heritage: The Moving Image Archive and Media Industry Studies 34<br /> Caroline Frick</p>
<p>3 Film Industry Studies and Hollywood History 45<br /> Thomas Schatz</p>
<p>4 Historicizing TV Networking: Broadcasting, Cable, and the Case of ESPN 57<br /> Victoria E. Johnson</p>
<p>5 From Sponsorship to Spots: Advertising and the Development of Electronic Media 69<br /> Cynthia B. Meyers</p>
<p>6 New Media as Transformed Media Industry 81<br /> P. David Marshall</p>
<p>Part II: Theory 91</p>
<p>Editors′ Introduction 93</p>
<p>7 Media Industries, Political Economy, and Media/Cultural Studies: An Articulation 95<br /> Douglas Kellner</p>
<p>8 Thinking Globally: From Media Imperialism to Media Capital 108<br /> Michael Curtin</p>
<p>9 Thinking Regionally: Singular in Diversity and Diverse in Unity 120<br /> Cristina Venegas</p>
<p>10 Thinking Nationally: Domicile, Distinction, and Dysfunction in Global Media Exchange 132<br /> Nitin Govil</p>
<p>11 Convergence Culture and Media Work 144<br /> Mark Deuze</p>
<p>Part III: Methodologies and Models 157<br /> </p>
<p>Editors′ Introduction 159</p>
<p>12 Media Economics and the Study of Media Industries 161<br /> Philip M. Napoli</p>
<p>13 Regulation and the Law: A Critical Cultural Citizenship Approach 171<br /> John McMurria</p>
<p>14 Can Natural Luddites Make Things Explode or Travel Faster? The New Humanities, Cultural Policy Studies, and Creative Industries 184<br /> Toby Miller</p>
<p>15 Cultures of Production: Studying Industry′s Deep Texts, Ref lexive Rituals, and Managed Self–Disclosures 199<br /> John Thornton Caldwell</p>
<p>16 The Moral Economy of Web 2.0: Audience Research and Convergence Culture 213<br /> Joshua Green and Henry Jenkins</p>
<p>Part IV: The Future: Four Visions 227</p>
<p>Editors′ Introduction 229</p>
<p>17 From the Consciousness Industry to the Creative Industries: Consumer–Created Content, Social Network Markets, and the Growth of Knowledge 231<br /> John Hartley</p>
<p>18 Politics, Theory, and Method in Media Industries Research 245<br /> David Hesmondhalgh</p>
<p>19 An Industry Perspective: Calibrating the Velocity of Change 256<br /> Jordan Levin</p>
<p>20 Toward Synthetic Media Industry Research 264<br /> Horace Newcomb</p>
<p>Index 271</p>
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