T. Jefferson (Boston University, USA) Kline,
TJ Kline
John Wiley & Sons
e druk, 2010
9781405184519
Unraveling French Cinema – From L′Atalante to Caché
From L′Atalante to Caché
Specificaties
Paperback, 232 blz.
|
Engels
John Wiley & Sons |
e druk, 2010
ISBN13: 9781405184519
Rubricering
Juridisch
:
Levertijd ongeveer 9 werkdagen
Gratis verzonden
Samenvatting
Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie–loving public.
Looks at the differences between French and American national cinema
Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself.
Demystifies the "difficulty" of French cinema, allowing the American movie–goer to enjoy films that are too often perplexing at a first viewing.
Offers extended analyses of classic, New Wave, and contemporary French films including L′Atalante, Adele H., The Rules of the Game, and Cache.
Specificaties
Inhoudsopgave
<p>Acknowledgments vi</p>
<p>Introduction 1</p>
<p>1 Cinema and/as Poetry: L Atalante s Apples as Poems 13</p>
<p>2 Cinema and the Real: Renoir s Rules 35</p>
<p>3 Cinema and/as Crime: Breaking the Law in The Children of Paradise, Pickpocket, and Breathless 54</p>
<p>4 Cinema and/as Mapping: Reorienting Ourselves Through Film 83</p>
<p>5 Cinema and/as Dream: Truffaut s Royal Road to Adele H. 109</p>
<p>6 Cinema and/as Hypnosis: Jacquot s Seventh Heaven 132</p>
<p>7 Cinema and/as Mourning: Anne Fontaine s How I Killed My Father 148</p>
<p>8 Cinema and/as Terror: Michael Haneke s Caché 165</p>
<p>9 Beautiful Fragments: Discontinuity and the French Cinema 179</p>
<p>Notes 193</p>
<p>References 212</p>
<p>Index 219</p>
<p>Introduction 1</p>
<p>1 Cinema and/as Poetry: L Atalante s Apples as Poems 13</p>
<p>2 Cinema and the Real: Renoir s Rules 35</p>
<p>3 Cinema and/as Crime: Breaking the Law in The Children of Paradise, Pickpocket, and Breathless 54</p>
<p>4 Cinema and/as Mapping: Reorienting Ourselves Through Film 83</p>
<p>5 Cinema and/as Dream: Truffaut s Royal Road to Adele H. 109</p>
<p>6 Cinema and/as Hypnosis: Jacquot s Seventh Heaven 132</p>
<p>7 Cinema and/as Mourning: Anne Fontaine s How I Killed My Father 148</p>
<p>8 Cinema and/as Terror: Michael Haneke s Caché 165</p>
<p>9 Beautiful Fragments: Discontinuity and the French Cinema 179</p>
<p>Notes 193</p>
<p>References 212</p>
<p>Index 219</p>
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