True Event Adaptation

Part I.- 1. Introduction—Scripting Real Lives, Davinia Thornley.- 2.&nbsp;The Study of Historical Films as Adaptation:&nbsp;Some Critical Reflections, Patrick Cattrysse.- 3.&nbsp;Waiting for the Great Swell of ‘74:&nbsp;John Milius and Autobiographical Self-projection in Big Wednesday,&nbsp;Alfio Leotta.- 4. Making Robert Sarkies’ Film Out of the Blue:&nbsp;Adaptation & Indigenization in Aotearoa New Zealand, Davinia Thornley.- Part II.- 5.&nbsp;When the Truth becomes Too Hard to Tell:&nbsp;Jocylene Saab & Dunia (2005), Margaret McVeigh.- 6.&nbsp;Making It “Real”/“Reel”:&nbsp;Truth, Trauma, and American Exceptionalism in Zero Dark Thirty,&nbsp;Jennifer L. Gauthier.- 7. (The Facts before) The Fiction before the Facts:&nbsp;Suburra from Novel (to Trial) to Feature to TV Serial,&nbsp;Paolo Russo.- 8. Reaching Young Audiences through Research:&nbsp;Using the NABC Method to Create the Norwegian Web Teenage Drama SKAM/Shame,&nbsp;Eva N. Redvall.- Part III.- 9. An Adaptation of Life:&nbsp;Ethnographically-grounded Fiction as a Method of Inquiry into Personal Accounts of Traumatic Events,&nbsp;Ester T. Roura.- 10. Writing the Screenplay for the History Film:&nbsp;A Case Study Featuring the Historical Figure, C.Y. O’Connor,&nbsp;Nadia Meneghello.<div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div><div><br></div>