A Geometry of Music : Harmony and Counterpoint in the Extended Common Practice

How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreakingwork, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes