Anthology of Baroque Music
Leverbaar
Preface xi Jacopo Peri, L'Euridice (1600), Prologue and excerpt from Scene 2 1(5) Emilio de' Cavalieri, Rappresentatione di anima, et di corpo (1600), excerpt 6(1) Giulio Caccini, Deh, dove son fuggiti (1602) 7(1) Giulio Caccini, Udite, udite amanti (1602) 8(1) Giulio Caccini, Torna, deh torna, pargoletto mio (1602) 9(1) Giuseppino Cenci, lo che l'eta solea (ca. 1600) 10(2) Sigismondo D'India, Riede la primavera (1609) 12(1) Orazio Michi Dell' Arpa, Su l'oriente (ca. 1630) 13(1) Luigi Rossi, Hor che l'oscuro manto (ca. 1640) 14(3) Claudio Monteverdi, L'Orfeo (1607), excerpts 17(6) Francesca Caccini, La liberazione di Ruggiero dall'isola d'Alcina (1625), excerpt 23(2) Stefano Landi, II S. Alessio (1632), Act I, scenes 2-4 25(11) Claudio Monteverdi, Hor ch'el ciel e la terra (1638) 36(7) Giovanni Girolamo Kapsberger, Toccata no. 5 (1604) 43(1) Girolamo Frescobaldi, Toccata nona (1627) 44(2) Alessandro Piccinini, Ciaconna in partite variate (1623) 46(1) Girolamo Frescobaldi, Partite sopra passacagli (1627) 47(1) Giovanni Salvatore, Versi sopra il Kyrie (1641) 48(1) Adriano Banchieri, Fantasia prima (1603) 49(1) Girolamo Frescobaldi, Canzon quarti toni, dopo il post comune (1635) 50(1) Giovanni Paolo Cima, Sonata, violino e violone (1610) 51(1) Giovanni Battista Fontana, Sonata 6 (before 1630) 52(2) Biagio Marini, Sonata sopra la monica (1629) 54(2) Giovanni Battista Buonamente, Sonata quarta (1626) 56(2) Marco Uccellini, Sonata prima a violino solo detta la vittoria trionfante (1645) 58(2) Marco da Gagliano, Vinea mea electa (ca. 1610) 60(1) Lodovico Viadana, Duo seraphim clamabant (1602) 61(1) Caterina Assandra, O salutaris hostia (1609) 62(2) Claudio Monteverdi, Nigra sum (1610) 64(1) Giacomo Carissimi, Historia di Jephte (before 1650) 65(12) Giovanni Gabrieli, In ecclesiis (ca. 1605) 77(9) Lambert de Beaulieu, Balet comique de la Royne (1581), Dialogue 86(2) Pierre Francisque Caroubel, Passameze and Gaillarde (before 1611) 88(1) Michel Mazuel, Dances from the Ballet du roy des festes de Baccus (1651) 89(3) Anon., Ma belle si ton ame (1603) 92(1) Pierre Guedron, Quel exces de douleur (1620) 93(1) Antoine Francisque, Prelude and Courante (1600) 94(1) Rene Mesangeau, Allemande for Lute (ca. 1630) 95(1) Ennemond Gaultier, Tombeau de Mezangeau (ca. 1638) 96(1) Denis Gaultier, Mode Ionien [suite for lute] (1648) 97(2) Rene Mesangeau, Sarabande for Keyboard (ca. 1630) 99(1) Jacques Champion de Chambonnieres, Dances for Keyboard (ca. 1648) 100(2) Eustache Du Caurroy, Unziesme Fantasie (1610) 102(1) Etienne Moulinie, Fantasie [for viols] (1639) 103(1) Jehan Titelouze, Magnificat Primi Toni (1626) 104(2) Charles Racquet, Fantasie (ca. 1636) 106(2) Eustache Du Caurroy, Victimae paschali laudes (1609) 108(4) Guillaume Bouzignac, Ecce homo (ca. 1640) 112(2) Gregor Aichinger, Tres sunt qui testimonium dant (1607) 114(2) Nikolas Herman, ``Erschienen ist der herrliche Tag,'' chorale (1560) 116(1) Johann Hermann Schein, Erschienen ist der herrliche Tag (1626) 117(1) Heinrich Schutz, O quam tu pulchra, SWV 165 (1629) 118(6) Heinrich Schutz, Was hast du verwirket, SWV 307 (1639) 124(2) Heinrich Schutz, Saul, Saul, was verfolgst du mich, SWV 415 (1650) 126(7) Jan Pieterszoon Sweelinck, Ricercar del nono duono (ca. 1610) 133(3) Chorale ``Ich ruf zu dir, herr Jesu Christ'' 136(1) Samuel Scheidt, Fantasia a 4 Voc. super: ich ruffe zu dir, Herr Jesu Christ, SSWV 114 (1624) 137(2) Johann Froberger, Canzon (1649) 139(1) Johann Froberger, Allemand, Courant, & Saraband (1649) 140(1) Paul Peuerl, Dances (1611) 141(2) Heinrich Albert, O der rauhen Grausamkeit! (1640) 143(1) John Jenkins, Fantasia in Four Parts (ca. 1640) 144(3) John Coprario, Fantasia-Suite no. 1 (ca. 1622) 147(2) John Dowland, The Frog Galliard (ca. 1610) 149(1) John Lawrence, Coranto for Lute (ca. 1625) 150(1) Orlando Gibbons, See, See, the Word Is Incarnate (ca. 1620) 151(7) John Dowland, Far from Triumphing Court (1610) 158(1) Francesco Cavalli, Giasone (1649), excerpts 159(26) Antonio Cesti, Orontea (1656), Act II, scenes 17-18 185(6) Alessandro Stradella, ``Dimmi Amor,'' in Moro per Amore (ca. 1680) 191(1) Barbara Strozzi, L'Eraclito amoroso (1651) 192(2) Antonio Cesti, Languia gia l'alba (ca. 1660) 194(2) Marco Marazzoli, San Tomaso (ca. 1650) 196(3) Alessandro Stradella, San Giovanni Battista (1675), Part 2, excerpt 199(12) Giacomo Carissimi, Suscitavit Dominus (1665) 211(4) Isabella Leonarda, Ave suavis dilectio (1676) 215(4) Jean-Baptiste Lully, Airs pour le carrousel de monseigneur, LWV 72 (1686) 219(4) Louis Couperin, Tombeau de M. de Blancrocher (ca. 1652) 223(1) Louis Couperin, Prelude (ca. 1657) 224(1) Jean de Sainte-Colombe, Concert ``Le tendre'' (ca. 1670) 225(1) Henry Du Mont, Tristitia vestra (1652) 226(1) Jean-Baptiste Lully, Alceste, ou le triomphe d'Alcide, LWV 50 (1674), Act I 227(26) Carlos Patino, Maria, mater Dei (ca. 1640) 253(7) Juan Gutierriez de Padilla, A siolo flasiquiyo (1653) 260(5) Juan Blas de Castro, Estavase el aldeana (ca. 1625) 265(2) Francisco Correa de Arauxo, Quinto tiento de medio registro de baxones de premier tono (1626) 267(1) Juan Bautista Jose Cabanilles, Tiento XXIV de falses 8. punt alt (ca. 1690) 268(1) Manuel Rodrigues Coelho, Outra Ave Maris stella (1620) 269(1) Gaspar Sanz, Jacaras (1675) 270(1) Wolfgang Carl Briegel, Was frag ich nach der Welt! (1670) 271(2) ``Joseph, lieber Joseph mein,'' the traditional song reconstructed 273(1) Philipp Friedrich Boddecker, Natus est Jesus (1651) 274(2) Matthias Weckmann, Zion spricht: Der Herr hat mich verlassen (1663) 276(6) Christoph Bernhard, Euch ist's gegeben zu wissen das Geheimnis (1665) 282(7) Martin Luther, ``Ein feste Burg ist unser Gott'' (1525) 289(1) Franz Tunder, Ein feste Burg ist unser Gott (ca. 1650) 290(11) Chorale ``Komm, heiliger Geist, Herre Gott'' 301(1) Franz Tunder, Komm, heiliger Geist (ca. 1650) 302(2) Dieterich Buxtehude, Passacaglia, Bux WV 161 (ca. 1680) 304(3) Dieterich Buxtehude, Praeludium, Bux WV 137 (ca. 1680) 307(3) Chorale ``An Wasserflussen Babylon'' 310(1) Johann Pachelbel, An Wasserflussen Babylon (ca. 1680) 311(2) Johann Heinrich Schmelzer, Corrente per l'Intrada di S.M.c. & di tutti i Cavaglieri from La contesa dell' aria e dell'acqua (1667) 313(1) Johann Heinrich Schmelzer, Sonata Natalitia a 3 Chori Auth (1673) 314(7) Johann Rosenmuller, Sonata seconda (1667) 321(3) Heinrich Ignaz Franz von Biber, Battalia (1673) 324(5) Maurizio Cazzati, Sonata settima, La Rossella (1656) 329(1) Giovanni Battista Vitali, Balletto ottava and Corrente ottava (1683) 330(1) Giovanni Maria Bononcini, Sonata XI, del secondo tuono una quarta piu alto (1672) 331(2) Arcangelo Corelli, Opus IV, Sonata IV (1694) 333(3) Arcangelo Corelli, Opus VI, Concerto I (ca. 1680?) 336(11) Giuseppe Torelli, Sinfonia con tromba e violini unissoni, G 9 (1693?) 347(3) Antonio Vivaldi, Concerto III, RV 310, Op. 3, no. 3 (1711) 350(9) Pelham Humfrey, Hear O Heav'ns (ca. 1670) 359(4) Matthew Locke, O Be Joyful in the Lord, All Ye Lands (1664) 363(5) Matthew Locke, ``The Delights of the Bottle,'' from Psyche (1675) 368(1) John Blow, Lovely Salina (1683) 369(1) Henry Purcell, In Guilty Night, Z 134 (ca. 1690) 370(4) John Banister, The Musick att the Bath (1663) 374(2) Henry Purcell, The Fairy Queen (1692), Act II, ``The Masque of Sleep'' 376(11) Henry Purcell, Dido and Aeneas (1689), excerpts 387(9) George Frideric Handel, Tamerlano (1724), HWV 18, excerpts 396(8) Alessandro Scarlatti, Cain, ovvero II primo omicidio (1707), Part II, excerpt 404(11) Alessandro Scarlatti, Il genio di Mitilde (1711) 415(4) Antonio Vivaldi, Jubilate, o amoeni chori and Gloria in excelsis Deo, RV 588 (1717), excerpt 419(13) Francesco Antonio Bonporti, Ite molles, Motetto per il Signore (1701) 432(6) Jean-Philippe Rameau, Hippolyte et Aricie (1733), Act IV, second half 438(11) Francois Couperin, La Tenebreuse, Allemande (1713) 449(1) Francois Couperin, Le Petit-Rien (1722) 450(1) Elisabeth Jacquet de La Guerre, Sonata no. 2 (1707) 451(3) George Frideric Handel, Saul, HWV 53 (1738), excerpts 454(35) Johann Sebastian Bach, Passio D.N.J.C. secondum Matthaeum (``St. Matthew Passion''), BWV 244 (1727, revised 1736) 489(34) Johann Sebastian Bach, Passacaglia, and Fugue, BWV 582 (ca. 1707) 523(5) Chorale ``Allein Gott in der Hoh sei Ehr'' 528(1) Johann Sebastian Bach, Allein Gott in her Hoh sei Ehr, BWV 663 (ca. 1708-17, revised ca. 1749) 529(3) Johann Sebastian Bach, Praeludium 21 and Fuga 21 a 3 (1722) 532(2) Johann Sebastian Bach, Concerto lmo from Six Concerts avec plusieurs instruments (Brandenburg Concerto no. 1, (?1713/?1716/1721), BWV 1046 534
Ingenaaid | 576 pagina's | Engels
1e druk | Verschenen in 2005
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