Beyond the Roots - The Evolution of Conrad's Ideology and Art

Wieslaw Krajka: Introduction 1(22) Elio Di Piazza: Conrad's Narrative Polyphony in The Nigger of the "Narcissus" 23(16) Agnieszka Adamowicz-Pospiech: The Mosaic Structure of Lord Jim: A Survey of the Genres and Literary Conventions Present in This "Free and Wandering Tale" 39(24) Marilena Saracino: Joseph Conrad: Rites of Passage or Writes of Passage? 63(18) Michael Greaney: Stories of Work in "Heart of Darkness" 81(14) Rajyashree Khushu-Lahiri: Conrad's Vision: A Postcolonial Reading of Almayer's Folly and "Heart of Darkness" 95(20) Todd K. Bender: The Vocabulary of Race in Conrad 115(14) J. Robert Baker: Mapping Ambivalence: Alterity in "Heart of Darkness" 129(22) Nupur Sen: Conrad's Savage Woman: From Colonialism to Gender 151(22) J. Gill Holland: Arnold Bennett and Joseph Conrad: What Does It Mean to Rewrite a Classic Finale 173(18) Lawrence P. Ware: Parallel Shades: Joseph Conrad and T.E. Lawrence 191(18) Arnold Schmidt: Nostromo, Garibaldi, and the Polish January Rising (1863-64) 209(20) Mark Daniel Chilton: "The Perfidy of a Trusted Providence": Milton, Blake, and Cultural Vandalism in The Secret Agent 229(38) Agata Izabela Szczeszak: Conrad, Joyce, and the Development of Urban Psychological Cartographies 267(32) Michel Arouimi: The Avatars of the Lord of The Apocalypse in Under Western Eyes 299(20) Wojciech Kozak: Sharing Gender (?) in "The Secret Sharer" 319(18) Katherine Isobel Baxter: Conrad's Revelations of Solitude 337(20) Nursel Içöz: Victory and Rejection of Ethical Relativism 357(28) Richard J. Hand: Conrad's Drama in a World Theatrical Context 385(16) Mary Morzinski: Rescuing "The Rescuer": The Finishing of Conrad's Style 401(18) Index of Non-Fictional Names 419(8) Index of Conrad's Works and Letters 427