Cinema against spectacle : technique and ideology revisited

Table of Contents[-][-]Preface (Philip Rosen)[-]Introduction (Daniel Fairfax)[-]"Yes we were utopians; in a way, I still am...": Interview with Jean-Louis Comolli[-]Cinema against Spectacle[-]I. Opening the Window?[-]II. Inventing the Cinema?[-]III. Filming the Disaster?[-]IV. Cutting the Figure?[-]V. Changing the Spectator?[-]Technique and Ideology[-]Introduction[-]I. On a Dual Origin[-]The ideological place of the "base apparatus"[-]Birth = deferral: the invention of the cinema[-]II. Depth of Field: the Double Scene[-]Bazin's "surplus realism"[-]The work of "transparency"[-]For a materialist history of the cinema[-]"For the first time..."[-]III. "Primitive" Depth of Field[-]IV. Effacement of Depth/Advent of Speech[-]V. Which Speech?[-]Appendix I: Cinema/Ideology/Criticism[-]Appendix II: Machines of the Visible[-]Glossary of Terms[-]Publication History[-]Filmography[-]Bibliography[-]Translator's Notes[-]Index[-]