Sullivan, Jack

Hitchcock's Music

Acknowledgments xi Overture xiii The Music Starts 1(19) Waltzes from Vienna: Hitchcock's Forgotten Operetta 20(11) The Man Who Knew Too Much: Storm Clouds over Royal Albert Hall 31(8) Musical Minimalism: British Hitchcock 39(19) Rebecca: Music to Raise the Dead 58(23) Waltzing into Danger 81(15) Sounds of War 96(10) Spellbound: Theremins and Phallic Frescoes 106(18) Notorious: Bright Sambas, Dark Secrets 124(13) The Paradine Case: The Unhappy Finale of Hitchcock and Selznick 137(7) Hitchcock in a Different Key: The Post-Selznick Experiments 144(12) The Band Played On: A Tiomkin Trio 156(13) Rear Window: The Redemptive Power of Popular Music 169(14) Lethal Laughter: Hitchcock's Fifties Comedies 183(9) The Man Who Knew Too Much: Doris Day versus the London Symphony 192(15) The Wrong Man: Music from the Dark Side of the Moon 207(7) Sing Along with Hitch: Music for Television 214(8) Vertigo: The Music of Longing and Loss 222(13) North by Northwest: Fandango on the Rocks 235(8) Psycho: The Music of Terror 243(16) The Birds: Aviary Apocalypse 259(14) The Music Ends: Hitchcock Fires Herrmann 273(17) Topaz: The Music Is Back 290(8) Frenzy: Out with Mancini, Hold the Bach 298(10) Family Plot: Hitchcock's Exuberant Finale 308(10) Finale: Hitchcock as Maestro 318(5) Notes 323(14) Index 337