Howard Morgen's Solo Guitar : Insights, Arranging Techniques & Classic Jazz Standards

Foreword 3(1) Part I - Tunes, Tips, and Techniques Arranging Techniques for Guitar (Sixths and Tenths) 4(4) Counterpoint and More 6(2) Those Were the Days (About the Arrangement) 8(3) Those Were the Days 9(2) Transcribing 11(2) Santa Claus Is Comin' to Town (About the Arrangement) 13(3) Santa Claus Is Comin' to Town 14(2) No Pain, No Gain 16(2) Howard Morgen Interpreting Chord Symbols 18(1) It Might Be You (About the Arrangement) 19(4) It Might Be You 20(3) Interpreting Standard Chord Symbols 23(10) It Don't Mean a Thing if It Ain't Got That ``Line'' (About the Arrangement) 29(4) It Don't Mean a Thing (If It Ain't Got That Swing) 31(2) Chord Fragments 33(7) In Your Own Sweet Way (About the Arrangement) 40(9) In Your Own Sweet Way 41(3) Stompin' at the Savoy 44(5) Chord Embellishment, Substitutions, and Additions 49(1) You Stepped Out of a Dream (About the Arrangement) 50(5) You Stepped Out of a Dream 51(4) Harmonics 55(3) Invitation (About the Arrangement) 58(6) Invitation 59(5) Artificial Harmonics 64(2) Harp Effects 66(2) Harmonic Cascades and Chords 68(2) Misty (About the Arrangement) 70(10) Misty 71(3) Laura 74(6) Fingering Considerations 80(2) Personalizing Your Arrangement 82(4) Take Five (Worksheet) 83(2) Take Five 85(1) Part II - Theory and Insights All About Chord Progressions I 86(10) Roman Numeral Symbolization 87(2) Root Movement 89(1) Cycle-Based Patterns 90(2) Secondary Dominants 92(1) Circle-Based Chromatic Patterns 93(3) All About Chord Progressions II 96(9) Seconds-Based Patterns 96(2) Non-Circle-Based Chromatic Patterns 98(4) Thirds-Based Root Movement 102(1) Tonic-Subdominant-Tonic Patterns 103(2) All About Chord Progressions III 105(12) Line-Dependent Patterns 106(4) Minor Patterns 110(1) Rock Progressions 111(3) 12-Bar Patterns 114(2) Harmonic Sequences 116(1) Personal Progressions 116(1) Putting the Ohhh! ... in ``Oh, Susanna'' (Insights Into Chord Substitution) 117(9) Reharmonization Technique No. 1---Backcycling 118(1) Reharmonization Technique No. 2---Relative Majors and Minors 119(1) Reharmonization Technique No. 3---Tritone Substitution 120(1) Experimenting With Chord Qualities and Embellishments 121(5) Personalizing the Arrangements 126 Ohhh! Susanna 129