Ingmar Bergman Revisited

Acknowledgements vii Notes on Contributors xi Introduction 1 Maaret Koskinen Prologue: A Personal Assessment Liv Ullmann 8 MUSIC, STAGE, FILM BETWEEN THE ARTS Out of the Past: Saraband and the Ingmar Bergman Archive 19 Maaret Koskinen Musicalisation of the Stage: Ingmar Bergman Performing Shakespeare 35 Ulla-Britta Lagerroth Ingmar Bergman at the Royal Opera 51 Stefan Johansson Platforms and Beds: The Sexualisation of Space in Ingmar Bergman's Theatre and Film 64 Marilyn Johns Blackwell PICTURING THE SELF BETWEEN WORDS AND IMAGES Analysing Self-Fashioning in Authoring and Reception 89 Janet Staiger Self-Projection and Still Photography in the Work of Ingmar Bergman 107 Linda Haverty Rugg On Ingmar Bergman and Philosophy: The Kaila Connection 120 Paisley Livingston PICTURING THE WORLD AND BEYOND Bergman, Nietzsche and Hollywood 143 John Orr Ingmar Bergman's The Serpent's Egg: Reflections of Reflections on Retro-Fashion 161 Thomas Elsaesser The Welfare State Depicted: Post-Utopian Landscapes in Ingmar Bergman's Films 180 Erik Hedling What Should We Believe?: Religious Motifs in Ingmar Bergman's Films 194 Astrid S derbergh Widding EPILOGUE A Professional Assessment: The Power of the Shadows or How We Study Ingmar Bergman 213 Birgitta Steene Filmography 233 Index 235