Metal Lead Guitar Vol. 2

Welcome to the ``Troy Stetina Series'' 4(1) Foreword 4(1) Chapter 7 5(7) Notes on the Third and Fourth Strings 5(1) The Modes 6(2) The Phrygian Mode 8(1) The Phrygian-Dominant Scale 9(1) Thirty-Second Notes 10(1) Speed Exercises 10(1) ``Mystic Places'' (Solo #7) 11(1) Chapter 8 12(14) Theory: Keys and Related Concepts 12(1) Relationships within Keys 12(4) Major Keys 13(1) Minor Keys 14(1) Modal Keys 14(1) Relative-Mode Exercises 15(1) Arpeggios 16(2) Emphasizing the Underlying Chord Progression and Passing Modes 18(2) Determining Which Scales Will Work Over a Chord Progression 20(2) Introducing Chromatics 22(1) Rhythmic Patterns 23(1) Speed Exercises 24(1) ``Drastic Measures'' (Solo #8) 25(1) Chapter 9 26(8) Notes on the First and Second String 26(1) Relative Major and Minor 27(1) Using Minor Scale Patterns to Solo in Major Keys 28(1) Intervals 29(2) Harmony 31(1) ``New Lands'' (Solo #9) 32(2) Chapter 10 34(6) The Harmonic Minor Scale 34(2) Introduction to Sweep Picking 36(1) Diminished 7th Arpeggios 37(1) Speed Exercises 38(1) ``Lightning's Edge'' (Solo #10) 39(1) Chapter 11 40(10) Extended Scale Patterns 40(4) Chord Resolution and Cadences 44(2) Two-Handed Fretting---Arpeggios 46(2) Speed Exercises 48(1) ``Battle to Victory'' (Solo #11) 49(1) Chapter 12 50 ``Babylon'' 50(1) Intro 50(1) Verse 1 51(1) Chorus 1 52(1) Verse 2 52(1) Chorus 2 53(1) Bridge (Rhythm Accents) 54(1) Verse 3 54(1) Bridge to Finale (Lead Breaks) 55(1) Finale (Guitar Solo) 56(3) Music Theory and Creative Expression 59(1) Keeping Tabs on Your Own Killer Licks 60(2) Notation Guide 62(1) Glossary of Terms 63(1) The ``Troy Stetina Series'' 64