Wolff, Christoph Wolff

Mozart's Requiem : Historical and Analytical Studies, Documents, Score

Preface IX I. HISTORICAL PERSPECTIVES: THE COMPOSITION, COMPLETION, AND EARLY RECEPTION OF MOZART'S REQUIEM 1(63) Fiction, Facts, and Open Questions 1(6) The Requiem Controversy (1825-39) 7(7) The First Edition and Sussmayr's Testimony 14(3) The Original Requiem Score 17(11) Mozart's Composition 28(10) Sussmayr's Completion 38(6) Original and Imitation: Horn Rondo and Requiem 44(7) Epilogue 51(13) II. MUSICAL ASPECTS: THE CONCEPT, STRUCTURE, AND CHARACTER OF MOZART'S REQUIEM 64(49) Background, Text, Formal Layout 64(7) The Musical Context 71(14) Individual Aspects 85(28) Mozart's Score 85(1) Instrumentation 86(4) Styles, Textures, and Forms 90(6) Harmonic Design 96(8) Words and Music 104(9) III. CONTEMPORARY DOCUMENTS: GENESIS AND EARLY RECEPTION OF MOZART'S REQUIEM 113(62) Preliminaries 113(1) Chronology 114(5) Documents 119(56) IV. SCORE OF MOZART'S REQUIEM FRAGMENT 175(72) Introduction 175(3) 1. Requiem 178(11) Kyrie 185(4) 2. Dies irae 189(33) Tuba mirum 196(4) Rex tremendae 200(3) Recordare 203(10) Confutatis 213(5) Lacrymosa (Beginning) 218(1) (Continuation from Sussmayr's score) 219(3) 3. Domine Jesu 222(12) Hostias 231(3) From Sussmayr's score: 4. Sanctus 234(8) Benedictus 237(5) 5. Agnus Dei 242(5) Bibliography 247(1) Abbreviations 247(10) 1. Editions of Mozart's Requiem 248(1) 2. Writings on Mozart's Requiem 249(5) 3. Other Works Cited 254(3) Index of Mozart's Works 257(2) Index of Names 259