Music and Manipulation : On the Social Uses and Social Control of Music

List of Illustrations ix Foreword: Manipulating Music—a Perspective of Practicing Composers x Preface xii Acknowledgments xviii List of Contributors xx Introduction: "How Does Music Work?" Toward a Pragmatics of Musical Communication Steven Brown 1(30) MANIPULATION BY MUSIC Part I Music Events 1. Ritual and Ritualization: Musical Means of Conveying and Shaping Emotion in Humans and Other Animals Ellen Dissanayake 31(26) 2. Music, Identity, and Social Control Peter J. Martin 57(17) 3. Between Ideology and Identity: Media, Discourse, and Affect in the Musical Experience Ulrik Volgsten 74(29) Part II Background Music 4. Music in Business Environments Adrian C. North and David J. Hargreaves 103(23) 5. The Social Uses of Background Music for Personal Enhancement Steven Brown and Töres Theorell 126(37) Part III Audiovisual Media 6. Music, Moving Images, Semiotics, and the Democratic Right to Know Philip Tagg 163(24) 7. Music Video and Genre: Structure, Context, and Commerce Rob Strachan 187(20) 8. The Effectiveness of Music in Television Commercials: A Comparison of Theoretical Approaches Claudia Bullerjahn 207(32) MANIPULATION OF MUSIC Part IV Governmental/Industrial Control 9. Music Censorship from Plato to the Present Marie Korpe, Ole Reitov, and Martin Cloonan 239(25) 10. Orpheus in Hell: Music in the Holocaust Joseph J. Moreno 264(23) 11. The Changing Structure of the Music Industry: Threats to and Opportunities for Creativity Roger Wallis 287(28) Part V Control by Reuse 12. Music and Reuse: Theoretical and Historical Considerations Ola Stockfelt 315(21) 13. Copyright, Music, and Morals: Artistic Expression and the Public Sphere Ulrik Volgsten and Yngve Åkerberg 336 Aesth/ethic Epilogue: Is Mozart's Music Good? Steven Brown and Ulrik Volgsten 365(5) Index 370