Music & German National Identity

Acknowledgments vii List of Abbreviations ix Germans as the ``People of Music'': Genealogy of an Identity 1(35) Celia Applegate Pamela Potter Reconstructing Ideal Types of the ``German'' in Music 36(23) Bernd Sponheuer Einheit---Freiheit---Vaterland: Intimations of Utopia in Robert Schumann's Late Choral Music 59(19) John Daverio Wagner's Die Meistersinger as National Opera (1868--1945) 78(27) Thomas S. Grey Landscape---Region---Nation---Reich: German Folk Song in the Nexus of National Identity 105(23) Philip V. Bohlman Kein schoner Land: The Spielschar Ekkehard and the Struggle to Define German National Identity in the Weimar Republic 128(12) Bruce Campbell Hosanna or ``Hilf, O Herr Uns'': National Identity, the German Christian Movement, and the ``Dejudaization'' of Sacred Music in the Third Reich 140(15) Doris L. Bergen National and Universal: Thomas Mann and the Paradox of ``German'' Music 155(23) Hans Rudolf Vaget Culture, Society, and Politics in the Cosmos of ``Hans Pfitzner the German'' 178(12) Michael H. Kater ``Fur eine neue deutsche Nationaloper'': Opera in the Discourses of Unification and Legitimation in the German Democratic Republic 190(15) Joy Haslam Calico Darmstadt, Postwar Experimentation, and the West German Search for a New Musical Identity 205(13) Gesa Kordes American Jazz in the German Cold War 218(16) Uta G. Poiger Postwar German Popular Music: Americanization, the Cold War, and the Post-Nazi Heimat 234(17) Edward Larkey On the History of the ``Deutschlandlied'' 251(18) Jost Hermand Ethnicity and Musical Identity in the Czech Lands: A Group of Vignettes 269(19) Bruno Nettl ``Is That Not Something for Simplicissimus?!'' The Belief in Musical Superiority 288(17) Albrecht Riethmuller List of Contributors 305(4) Index 309