Musica Poetica : Musical-Rhetorical Figures in German Baroque Music

Introduction vii PART ONE INTRODUCTION TO THE CONCEPTS 3(90) Luther on Music: A Theological Basis for German Baroque Music 3(7) Toward Musica Poetica: The Emergence of a German Baroque Music 10(19) The Concept of the Affections in German Baroque Music 29(28) Principles of Rhetoric in German Baroque Music 57(36) PART TWO TREATISES AND SOURCES 93(74) Joachim Burmeister 93(6) Johannes Nucius 99(4) Joachim Thuringus 103(3) Athanasius Kircher 106(5) Elias Walther 111(1) Christoph Bernhard 112(7) Wolfgang Caspar Printz 119(3) Johann Georg Ahle 122(3) Tomas Baltazar Janovka 125(2) Mauritius Johann Vogt 127(4) Johann Gottfried Walther 131(5) Johann Mattheson 136(8) Meinrad Spiess 144(4) Johann Adolf Scheibe 148(8) Johann Nikolaus Forkel 156(11) PART THREE DEFINITIONS AND TRANSLATIONS OF THE MUSICAL-RHETORICAL FIGURES 167(272) Definitions and Translations 167(272) APPENDICES 439(19) Appendix 1: Summary of Figure Definitions 439(5) Appendix 2: Summary of Figures by Category 444(4) Appendix 3: List of Figures by Author 448(5) Appendix 4: Summary of Figures by Author 453(5) Bibliography 458(8) Index 466