Serious Electric Bass : The Bass Player's Complete Guide to Scales & Chords

The ``Gee I Did It Myself'' Guide To Setting Up & Adjusting Your Bass 1(16) Changing Strings 2(2) Intonating The Bridge 4(3) Adjusting The Truss Rod 7(5) Adjusting the Tilt (Angle) Of The Neck 12(2) Cleaning Noisy Volume And Tone Controls 14(1) Smoothing Out The Back Of The Neck 14(1) Cords 15(1) Things to Have In Your Bass Case All The Time 16(1) The 1st Position 17(16) Playing With All Four Fingers Of The Left Hand 18(2) The Chromatic Scale 20(2) 1st Position Intervals 22(4) 1st Position Interval Exercises 26(7) Major Scales & Chords In The 1st Position 33(20) The Major Scale 33(2) 1st Position Major Scale Exercises (Subdividing!) 35(11) Major Scales Covering The Entire 1st Position 46(2) Major Chords In The 1st Position 48(4) Your Own Major Scale And Chord Ideas 52(1) On To Some Serious Shifting 53(4) Major Scales & Chords Outside Of The 1st Position 57(8) Major Scale Fingerboard Charts 57(2) Major Scale Exercises 59(3) Major 7th Chords 62(3) Major Scale Modes & Chords 65(38) Major Mode Derivation 65(2) Major Mode Chords 67(3) The Dorian Mode 70(7) The Mixolydian Mode 77(5) The Phrygian Mode 82(5) The Lydian Mode 87(5) The Aeolian Mode 92(6) And, Finally, The Locrian Mode 98(5) Major Scale Modes & Chords Part 2: Putting Them All Together 103(20) Major Mode - Key Of E Starting From the Open E Strings 104(2) Major Mode - Keys Of E And A Starting From An Open String 106(2) Diatonic 7th Chords Starting From The Open E String 108(2) Major Modes - All Keys - 4 Strings 110(2) Major Modes - All Keys - 4 Strings 112(2) Major Modes - All Keys - 3 Strings 114(2) Diatonic 7th Chords Starting With A Fingered Note 116(2) Diatonic Mode And Chords Exercises 118(5) Two Octave Major Modes & Arpeggios 123(18) Two-Octave Major Scales 124(2) Two-Octave Lydian Modes 126(1) Two-Octave Maj7th and Maj7 (#11) Arpeggios 127(2) Two-Octave Dorian Modes 129(1) Two-Octave Phrygian Modes 130(1) Two-Octave Aeolian Modes 131(1) Two-Octave m7 Arpeggios 132(2) Two-Octave Mixolydian Modes 134(1) Two-Octave Dom 7th Chords 135(2) Two-Octave Locrian Modes 137(1) Two-Octave m7(b5) Arpeggios 138(2) Major Mode And Chord Summary 140(1) The Five-Position System 141(22) The Five-Position Numbering System 142(7) Diatonic 7th Chords In The Five-Position System 149(6) Five Keys For The Price Of One 155(4) Every Key In The Space Of Three Frets 159(4) The Harmonic Minor Scale 163(16) Harmonic Minor Scale Facts 163(2) The Harmonic Minor Scale In The 1st Position 165(1) The Harmonic Minor Scale Outside Of The 1st Position 166(2) Two-Octave Harmonic Minor Scales 168(1) Two-Octave m(maj7) Arpeggios 169(2) The Fifth Mode Of The Harmonic Minor Scale 171(2) The Fifth Mode Of The Harmonic Minor Scale In The 1st Position 173(1) The Fifth Mode Of The Harmonic Minor Scale Outside Of The 1st Position 174(5) The Melodic Minor Scale 179(52) Melodic Minor Scale Facts 179(3) The Melodic Minor Scale In The 1st Position 182(1) The Melodic Minor Scale Outside Of The 1st Position 183(2) Two-Octave Melodic Minor Scales 185(2) Melodic Minor Scale Modes And Chords 187(1) Comparing Major And Melodic Minor Scale Modes 188(1) The Third Mode - Lydian Augmented 189(8) The Fourth Mode - Lydian Dominant 197(7) The Fifth Mode - Dominant $13 204(7) The Sixth Mode - Locrian #2 211(7) The Seventh Mode - The Altered Scale 218(9) Melodic Minor Scale And Chord Summary 227(4) Symmetric Scales 231(37) What Are Symmetric Scales? 231(1) The 8-Note Diminished Scale 232(3) The 8-Note Diminished Scale In The 1st Position 235(2) The 8-Note Diminished Scale Outside Of The 1st Position 237(2) Two-Octave 8-Note Diminished Scales 239(3) The 8-Note Dominant Scale 242(3) The 8-Note Dominant Scale In The 1st Position 245(2) The 8-Note Dominant Scale Outside Of The 1st Position 247(2) Two-Octave 8-Note Dominant Scales 249(2) Using 8-Note Diminished And Dominant Scales Together 251(8) The Whole-Tone Scale 259(3) The Whole-Tone Scale In The 1st Position 262(1) The Whole-Tone Scale Outside Of The 1st Position 263(2) Two-Octave Whole-Tone Scales 265(3) The Last Chapter 268(2) How Do I Remember All Of These Scales And Chords? 270