Strunk's Source Readings in Music History : The Twentieth Century

Notes and Abbreviations xiii Introduction 3(10) I Esthetic Positions Two Letters to Ferruccio Busoni 13(7) Arnold Schoenberg From ``Cock and Harlequin'' 20(4) Jean Cocteau From Poetics of Music 24(6) Igor Stravinsky ``Experimental Music'' 30(5) John Cage ``Who Cares if You Listen?'' 35(6) Milton Babbitt ``Who Listens if You Care?'' 41(10) Evan Ziporyn II Expanded Sonic Resources From Sketch of a New Esthetic of Music 51(7) Ferruccio Busoni The Art of Noises 58(6) Luigi Russolo ``Music and Its Future'' 64(5) Charles Ives ``The Liberation of Sound'' 69(7) Edgard Varese ``Tendencies in Recent Music'' 76(9) Pierre Boulez III Compositional Approaches From ``Composition with Twelve Tones'' 85(11) Arnold Schoenberg From ``The Concept of Unity in Electronic Music'' 96(5) Karlheinz Stockhausen ``Free Stochastic Music'' 101(5) Iannis Xenakis From ``Metamorphoses of Musical Form'' 106(9) Gyorgi Ligeti From Writings about Music 115(8) Steve Reich IV Music, Society, Politics ``Shifts in Musical Production'' 123(2) Kurt Weill Speech for the Dusseldorf Music Festival 125(2) Joseph Goebbels ``Chaos Instead of Music'' 127(2) Pravda Three Commentaries 129(3) Sergey Prokofiev From Testimony 132(4) Dmitri Shostakovich From My Lord, What a Morning 136(3) Marian Anderson From ``A Scratch Orchestra: Draft Constitution'' 139(2) Cornelius Cardew From Streaks of Life 141(4) Ethel Smyth ```I Recycle Sounds': Do Women Compose Differently?'' 145(6) Eva Rieger From ``Horizons Unlimited'' 151(2) William Grant Still ``The Black American Composer'' 153(8) Olly Wilson V Extending Western Music's Boundaries Three Articles for Music Journals 161(5) Claude Debussy From Two Articles on the Influence of Folk Music 166(6) Bela Bartok From Notes without Music 172(2) Darius Milhaud ``The Return to the Music of the Past'' 174(2) Wanda Landowska ``Patterns of Music'' 176(2) Harry Partch From ``Mozart and the Ethnomusicological Study of Western Culture'' 178(13) Bruno Nettl VI Concert Life, Reception, and the Culture Industry From ``Society for Private Music Performances in Vienna'' 191(3) Alban Berg From ``A Social Critique of Radio Music'' 194(5) Theodor W. Adorno From Intermission Talk for Toscanini's Final Radio Concert 199(2) Lawrence Gilman ``Musica Practica'' 201(4) Roland Barthes From Postmodernist Culture 205(10) Steven Connor VII Pluralism From ``Memoirs of an Amnesiac'' 215(3) Erik Satie From Two Interviews 218(2) Nadia Boulanger From Music Ho! 220(4) Constant Lambert From Music, the Arts, and Ideas 224(5) Leonard B. Meyer From ``The Poetics of the Open Work'' 229(5) Umberto Eco From ``On the Third String Quartet'' 234(5) George Rochberg ``Music---or Musics?'' 239(6) Carl Dahlhaus Index 245