The Cambridge Companion to Haydn

Part I. Haydn in Context: 1. Haydn's career and the idea of the multiple audience Elaine Sisman 2. A letter from the wilderness: revisiting Haydn's Esterhá zy environments Rebecca Green 3. Haydn's aesthetics James Webster 4. First among equals: Haydn and his fellow composers David Wyn Jones Part II. Stylistic and Interpretive Contexts: 5. Haydn and humour Scott Burnham 6. Haydn's exoticisms: 'difference' and the Enlightenment Matthew Head Part III. Genres: 7. Orchestral music: symphonies and concertos David Schroeder 8. The quartets Mary Hunter 9. Intimate expression for a widening public: the keyboard sonatas and trios Michelle Fillion 10. Sacred music James Dack 11. The sublime and the pastoral in The Creation and The Seasons James Webster 12. Miscellaneous vocal genres Katalin Komló s 13. Haydn in the theatre: the operas Caryl Clark Part IV. Performance and Reception: 14. A composer, his dedicatee, her instrument, and I: thoughts on performing Haydn's keyboard sonatas Tom Beghin 15. Haydn and posterity: the long nineteenth century James Garrett 16. The kitten and the tiger: Tovey's Haydn Lawrence Kramer 17. Recorded performances: a symphonic study Melanie Lowe.