Roads, Curtis

The Computer Music Tutorial (Paper)

Foreword: New Music and Science ix John Chowning Preface xiii Acknowledgments xix Fundamental Concepts 1(80) Overview to Part I 3(2) Digital Audio Concepts 5(44) John Strawn Music Systems Programming 49(32) Curtis Abbott Sound Synthesis 81(266) Overview to Part II 83(2) Introduction to Digital Sound Synthesis 85(30) John Strawn Sampling and Additive Synthesis 115(42) Multiple Wavetable, Wave Terrain, Granular, and Subtractive Synthesis 157(56) Modulation Synthesis 213(50) Physical Modeling and Formant Synthesis 263(54) Waveform Segment, Graphic, and Stochastic Synthesis 317(30) Mixing and Signal Processing 347(146) Overview to Part III 349(4) Sound Mixing 353(34) Basic Concepts of Signal Processing 387(62) Sound Spatialization and Reverberation 449(44) Sound Analysis 493(118) Overview to Part IV 495(2) Pitch and Rhythm Recognition 497(36) Spectrum Analysis 533(78) The Musician's Interface 611(300) Overview to Part V 613(4) Musical Input Devices 617(42) Performance Software 659(44) Music Editors 703(80) Music Languages 783(36) Algorithmic Composition Systems 819(34) Representations and Strategies for Algorithmic Composition 853(58) Internals and Interconnections 911(138) Overview to Part VI 913(2) Internals of Digital Signal Processors 915(54) MIDI 969(48) System Interconnections 1017(32) Psychoacoustics 1049(22) Overview to Part VII 1051(2) Psychoacoustics in Computer Music 1053(18) John W. Gordon Appendix 1071(42) Fourier Analysis 1073(40) Philip Greenspun References 1113(92) Name Index 1205(6) Subject Index 1211