Audiovisual Translation

Acknowledgements Notes on Contributors Introduction; J.Díaz Cintas & G.Anderman PART I: SUBTITLING AND SURTITLING Subtitling for the DVD Industry; P.Georgakopoulou Subtitling Norms in Greece and Spain; S.Sokoli Amateur Subtitling on the Internet; L.Bogucki The Art and Craft of Opera Surtitling; J.Burton Challenges and Rewards of Libretto Adaptation; L.Desblache PART II: REVOICING Dubbing versus Subtitling: Old Battleground Revisited; J-E.Tveit The Perception of Dubbing by Italian Audiences; R.Antonini & D.Chiaro Transfer Norms for Film Adaptations in the Spanish-German Context; S.Cañuelo Sarrión Voice-over in Audiovisual Translation; P.Orero Broadcasting Interpreting: A Comparison between Japan and the UK; T.Shibahara PART III: ACCESSIBILITY TO THE MEDIA Interlingual Subtitling for the Deaf (and Hard-of-Hearing); J.Neves Audio Description in the Theatre and the Visual Arts: Images into Words; A.Holland Usability and Website Localisation; M.de Bortoli & J.M.Ortiz-Sotomayor PART IV: EDUCATION AND TRAINING Teaching Screen Translation: The Role of Pragmatics in Subtitling; E.Skuggevik Pedagogical Tools for the Training of Subtitlers; C.Taylor Teaching Subtitling in a Virtual Environment; F.Bartrina Subtitling: Language Learners' Needs vs. Audiovisual Market Needs; A.Caimi Index