Visual Synergies in Fiction and Documentary Film from Latin America

Foreword; M.Haddu & J.Page The Space between Fiction and Documentary in Latin American Cinema: Towards a Genealogy; M.Chanan PART I: DOCUMENTARY IN FICTION Deconstructive Effect of the Documentary in Central do Brasil; Cynthia Tompkins Filming Psychoanalysis: The Documentation of Paranoia and the Paranoid Gaze in Buñuel's Él; J.Gutiérrez-Albilla The Zoological Gaze: Knowledge and Spectatorship in New Argentine Cinema; J.Page Something is Not Quite Right: Recombining Film History in Stan Douglas' Inconsolable Memories; C.Aldarondo Documenting Urban Fictions in the New Argentine Cinema; J.Cisneros PART II: FICTION IN DOCUMENTARY Cuban Documentary: Truth or Fiction?; A.Anderson Between the Image and the Word: Minority Discourses and Community Construction in the Documentary of Eduardo Coutinho; M.Cunha De-referencing the Real: Documentary Mediascapes in the Films of Carlos Marcovich; G.Kantaris Film on Sound: Popular Music and Intellectual Authority in Cuban Revolutionary Film of the 1960s; D.Robbins A Tale of Two Cities: The image of Buenos Aires in Contemporary Argentine Cinema; H.P.Blanco PART III: HYBRID FORMS Cinematic Hybrids and the Self-Conscious Lens in Aro Tolbukhin: en la mente del asesino and Sobreviviente; M.Haddu Cofralandes: A Multi-narrative Space for Chilean Identity; A.R.Remedi Mockumentary as Post-nationalism: National Identity in A Day without a Mexican; A.De la Garza Globo, Saudade, and the Shaping of National Memory and Consciousness; M.Bird