Orlando di Lasso Studies

Preface; List of abbreviations; 1. Aspects of form in Orlando di Lasso's Magnificat settings James Erb; 2. Orlando di Lasso and Andrea Gabrieli: two motets and their masses in a Munich choir book from 1564–5 Marie Louise Göllner; 3. Post-Tridentine liturgical change and functional music: Lasso's cycle of polyphonic Latin hymns Daniel Zager; 4. The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music Donna G. Cardamone; 5. Lasso's 'Standomi un giorno' and the canzone in the mid-sixteenth century Mary S. Lewis; 6. Lasso's 'Fertur in conviviis': on the history of its text and transmission Bernhold Schmid; 7. Orlando di Lasso and Rome: personal contacts and musical influences Noel O'Regan; 8. Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro Ignace Bossuyt; 9. The madrigal book of Jean Turnhout (1589) and its relationship to Lasso James Haar; 10. Modal ordering within Orlando di Lasso's publications Peter Bergquist; 11. Correct and incorrect accentuation in Lasso's music: on the implied dependence on the text in classical vocal polyphony Horst Leuchtmann; General index; Index of Lasso compositions and printed sources.