Schenker Studies 2

Abbreviated references to Schenker's writings; Preface; Part I. Archival Studies: 1. Levels of understanding: an introduction to Schenker's Nachlass Robert Kosovsky; 2. When 'Freier Satz' was part of Kontrapunkt: a preliminary report Hedi Siegel; 3. Schenker's unpublished work with the music of Johannes Brahms Allen Cadwallader and William Pastille; Part II. Analytical Studies: 4. C. P. E. Bach and the fine art of transposition Wayne Petty; 5. Comedy and structure in Haydn's symphonies L. Poundie Burstein; 6.'Symphonic breadth': structural style in Mozart's symphonies David Gagné; 7. 'Structural momentum' and closure in Chopin's Nocturne Op. 9, No. 2 John Rink; 8. On the first movement of Sibelius's Fourth Symphony: a Schenkerian view Edward Laufer; 9. Voice leading as drama in Wozzeck Arthur Maisel; 10. Sequential expansion and Handelian phrase rhythm Channan Willner; 11. Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction Frank Samarotto; 12. Diachronic transformation in a Schenkerian context: Brahms's Haydn Variations Timothy Jackson; 13. Bass-line articulations of the Urlinie Eric Wen; 14. Structure as foreground: 'das Drama des Ursatzes' Carl Schachter; Index.