Early Impressionism and the French State (1866–1874)

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Paperback, 320 blz. | Engels
Cambridge University Press | e druk, 2000
ISBN13: 9780521775427
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Cambridge University Press e druk, 2000 9780521775427
€ 57,15
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Samenvatting

Jane Roos explores the reception of modernist painting in the years that preceded the Impressionist exhibition of 1874. Opening with an extensive analysis of the ministry of fine arts and the politics of the Salon, the study considers the Salon experiences of Courbet, Manet, and the group that became known as the Impressionists: Monet, Renoir, Pissarro, Degas, Morisot, Cézanne, and Bazille. Revealing the relative liberalism of art administrators, Jane Roos questions the traditional 'rebel status' accorded to these painters in traditional histories of Modernism. This book also examines how art was politicized during this period and how politics affected the Impressionist exhibition of 1874.

Specificaties

ISBN13:9780521775427
Taal:Engels
Bindwijze:Paperback
Aantal pagina's:320

Inhoudsopgave

1. The politics of the Règlement; 2. Women at the Salon; 3. The politics of the Salon; 4. The cat's meow; 5. The stag at bay; 6. Paris interlude; 7. The black cat returns; 8. On the brink of success; 9. The cummune, the column, and the toppling of Courbet; 10. Regression in the wake of war; 11. The onset of the 'moral order'; 12. The politics of the Société Anonyme.

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€ 57,15
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        Early Impressionism and the French State (1866–1874)