Class, Crime and International Film Noir

Globalizing America's Dark Art

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Paperback, blz. | Engels
Palgrave Macmillan UK | e druk, 2014
ISBN13: 9781349450411
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Palgrave Macmillan UK e druk, 2014 9781349450411
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Samenvatting

Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.

Specificaties

ISBN13:9781349450411
Taal:Engels
Bindwijze:paperback
Uitgever:Palgrave Macmillan UK

Inhoudsopgave

List of Figures Foreword Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) Acknowledgements Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45 Appendix Bibliography Endnotes Index?

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        Class, Crime and International Film Noir