Modernist Women Writers and Spirituality

<p>Contents</p><p> </p><p>Acknowledgements</p><p> </p><p>Introduction: The Intricate Persistence of Strange Gods</p>Elizabeth Anderson, Andrew Radford and Heather Walton<p></p><p> </p><p>Chapter 1: Radical Unorthodoxy: Religious and Literary Modernisms in H.D. and Mary Butts </p><p>Suzanne Hobson         </p><p> </p><p>Chapter 2: Directing Modernist Spirituality: Evelyn Underhill, the Subliminal Consciousness and Spiritual Direction </p><p>Jamie Callison </p> <p></p><p>Chapter 3: Stevie Smith’s serious play: a modernist reframing of Christian orthodoxy        </p><p>Gillian Boughton</p><p> </p><p>Chapter 4: Faith in Ruins: Fragments and Pattern in the Late Works of Rose Macaulay</p><p>Heather Walton</p><p> </p><p>Chapter 5: Jane Harrison’s Ritual Scholarship</p><p>Mimi Winick   </p><p> </p><p>Chapter 6: Antiquarian Magic: Jane Harrison’s Ritual Theory and Hope Mirrlees’s Paris </p><p>Nina Enemark </p><p> </p><p>Chapter 7: Childish Things: Spirituality, Materiality and Creativity in Mary Butts’s The Crystal Cabinet </p><p>Elizabeth Anderson </p><p> </p><p>Chapter 8: Spectral Poetics in Virginia Woolf’s The Waves </p><p>Sheela Banerjee </p><p> </p>Chapter 9: The Queer Movements of Ecstasy and Asceticism in Hungerheart: The Story of a Soul and Madeleine: One of Love’s Jansenists <p></p><p>Ellen Ricketts  </p><p> </p><p>Chapter 10: Dora Marsden and the “WORLD-INCLUSIVE I”: Egoism, Mysticism and Radical Feminism </p><p>Steven Quincey-Jones </p><p> </p><p>Chapter 11: What lies below the horizon of life: the occult fiction of Dion Fortune </p><p>Andrew Radford        </p><p> </p><p>Chapter 12: What Words Conceal: H.D.’s occult word-alchemy in the 1950s</p><p>Matte Robinson          </p><p> </p><p>Afterword: Modernist Women Writers and Spirituality</p><p>Lara Vetter </p><p> </p><p>Bibliography</p><p>Notes on Contributors</p><p> </p><p>Index</p>