

John Skidgel is the senior interface designer for Adobe's Encore DVD. A traditionally trained graphic designer with over 10 years of experience in software design, John began his career teaching digital imaging, video, and new media courses at Eastman Kodak's The Center for Creative Imaging in 1992.
Meer over John SkidgelProducing 24p Video
Covers 24p video cameras such as the Canon XL2 and the Panasonic DVX-100
Samenvatting
Traditional digital video (DV) cameras capture images at the rate of 30 frames per second in contrast to film camera speeds of 24 frames per second (24p). New DV cameras are making it possible to shoot DV at the 24p frame rate. Since the 24p frame rate more closely approximates the look and feel of film, it is the speed of choice whenever a "cinematic" look is desired. 24p video also offers certain compression options that are advantageous to web and wireless delivery. 24p productions require special techniques all the way through the production, from preproduction planning through post and output.
This introductory 'crash course' in 24p video production is ideal for the student and new filmmaker. Each chapter is constructed to include techniques, examples, tips, and case studies. Field techniques include real-world setups (close-up, medium shot, wide shot) presented as demonstrations or tutorials. Case studies present profiles of people producing 24p projects. Software tutorials include step-by-step instructions that illustrate how to work with 24p material in NLE, compositor, DVD authoring, and audio applications.
Audience:
Novice to intermediate, including film students and videographers new to 24p
Specificaties
Inhoudsopgave
Acknowledgements
Introduction
- The 24p revolution
- The book's audience
- Book features
- Before you begin
Film, Video, and 24p
- Film, video, and 24p
- Film
- Video
- 24p
- Digital video formats
- The end of tape acquisition
24p Preproduction
- Preproduction
- Business activities
- Get a crew
- Casting
- Storyboarding and previsualization
- Production design
- Rehearsals
- Acquiring equipment
24p Cinematography
- 24p and cinematography
- The purpose of the shot
- Focus
- Focal length
- Movement
- Shot sizes
- Camera Craft
- Documentary cinematography
- Video engineering
- Understanding a camera's basic controls
- Scene files and custom presets
24p Audio
- The importance postproduction
- Editorial strategies
- Acquiring and interpreting 24p material
24p Editorial and postproduction
- Editing and 24p postproduction
- Editorial strategies
- Acquiring and interpreting 24p material
- Converting interlaced Video to 24p
24p Output options
- Compressing 24p for DVD
- Compressing for internet video
- Transfering Video to film
glossary
Index
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