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Patrizia Pallaro Meer over Patrizia Pallaro

Authentic Movement: Moving the Body, Moving the Self, Being Moved

A Collection of Essays
Specificaties
Paperback, 320 blz. | Engels
Jessica Kingsley Publishers | e druk, 2007
ISBN13: 9781843107682
Rubricering
Hoofdrubriek : Gezondheid
Juridisch :
Jessica Kingsley Publishers e druk, 2007 9781843107682
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Samenvatting

This second volume on Authentic Movement - a new discipline aiding the creative process in the expressive arts - is an engaging and dynamic collection of scholarly essays, personal stories, practical suggestions and resources. It reflects cutting edge wor

Specificaties

ISBN13:9781843107682
Taal:Engels
Bindwijze:paperback
Aantal pagina's:320
Uitgever:Jessica Kingsley Publishers
Verschijningsdatum:10-8-2020
Hoofdrubriek:Gezondheid

Inhoudsopgave



<TABLE CELLSPACING=0 CELLPADDING=0><TR><TD>Acknowledgments</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>11</TD><TD VALIGN=TOP>(5)</TD>
</TR>
<TR><TD>Introduction</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>16</TD><TD VALIGN=TOP>(8)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Patrizia Pallaro</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=20></TD>
<TD>Part One: The Foundation</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>From Autism to the Discipline of Authentic Movement</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>24</TD><TD VALIGN=TOP>(8)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Janet Adler</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Inner-Directed Movement in Analysis: Early Beginnings</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>32</TD><TD VALIGN=TOP>(3)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Joan Chodorow</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Reflections on Mary Starks Whitehouse</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>35</TD><TD VALIGN=TOP>(10)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Susan Frieder</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>A Dancing Spirit: Remembering Mary Starks Whitehouse</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>45</TD><TD VALIGN=TOP>(5)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Edith Sullwold</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Mary Ramsay</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>50</TD><TD VALIGN=TOP>(6)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Daphne Lowell</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Road In: Elements of the Study and Practice of Authentic Movement</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>56</TD><TD VALIGN=TOP>(13)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Tina Stromsted</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Neala Haze</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Witnessing and the Chest of Drawers</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>69</TD><TD VALIGN=TOP>(5)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Alton Wasson</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=20></TD>
<TD>Part Two: Psychotherapy</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement as Active Imagination</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>74</TD><TD VALIGN=TOP>(6)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Penny Parker Lewis</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Moving Towards Complexity: The Myth of Echo and Narcissus</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>80</TD><TD VALIGN=TOP>(17)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Antonella Adorisio</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>On Synchrony</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>97</TD><TD VALIGN=TOP>(8)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Julie Joslyn Brown</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Zoe Avstreih</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Journeying Between Will and Surrender in Authentic Movement: A Personal and Clinical Perspective</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>105</TD><TD VALIGN=TOP>(11)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Marcia Plevin</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement in Clinical Work</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>116</TD><TD VALIGN=TOP>(12)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Shira Musicant</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement: Clinical and Theoretical Considerations</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>128</TD><TD VALIGN=TOP>(9)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Shira Musicant</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Against the Wall, Her Beating Heart: Working with the Somatic Aspects of Transference, Countertransference and Dissociation</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>137</TD><TD VALIGN=TOP>(17)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Barbara Holifield</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Merging and Differentiating</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>154</TD><TD VALIGN=TOP>(22)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Wendy Wyman-McGinty</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Somatic Countertransference: The Therapist in Relationship</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>176</TD><TD VALIGN=TOP>(18)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Patrizia Pallaro</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement: A Safe Place for Group Therapy</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>194</TD><TD VALIGN=TOP>(8)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Anne Hebert Smith</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Dancing Body in Psychotherapy: Reflections on Somatic Psychotherapy and Authentic Movement</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>202</TD><TD VALIGN=TOP>(19)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Tina Stromsted</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Body in Analysis: Authentic Movement and Witnessing in Analytic Practice</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>221</TD><TD VALIGN=TOP>(23)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Wendy Wyman-McGinty</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=20></TD>
<TD>Part Three: Spirituality</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Discipline of Authentic Movement as Mystical Practice: Evolving Moments in Janet Adler's Life and Work</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>244</TD><TD VALIGN=TOP>(16)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Tina Stromsted</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>From Seeing to Knowing</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>260</TD><TD VALIGN=TOP>(10)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Janet Adler</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Achieving Body Permanence: Authentic Movement and the Paradox of Healing</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>270</TD><TD VALIGN=TOP>(4)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Zoe Avstreih</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Calling Spirit Home: How Body becomes Vessel for Spiritual Animation</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>274</TD><TD VALIGN=TOP>(9)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Jeanne Castle</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement: A Theoretical Framework Based in Tibetan Buddhist Thought</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>283</TD><TD VALIGN=TOP>(9)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Carol Fields</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=20></TD>
<TD>Part Four: New Horizons</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement as a Form of Dance Ritual</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>292</TD><TD VALIGN=TOP>(29)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Daphne Lowell</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Being Seen, Being Moved: Authentic Movement and Performance</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>321</TD><TD VALIGN=TOP>(5)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Andrea J. Olsen</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Learning to Love: How Art Therapy and Authentic Movement Transform Being</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>326</TD><TD VALIGN=TOP>(11)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Suzanne Lovell</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Moving Toward Health: Authentic Movement and Breast Cancer</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>337</TD><TD VALIGN=TOP>(24)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Sandy Dibbell-Hope</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Discovery of Deep Ecology through the Body: A Practice in Authentic Movement</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>361</TD><TD VALIGN=TOP>(3)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Cassielle Alaya Bull</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Oracles: Authentic Movement and the I Ching</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>364</TD><TD VALIGN=TOP>(4)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Susan Bauer</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement: From Embryonic Curl to Creative Thrust</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>368</TD><TD VALIGN=TOP>(9)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Ariane Goodwin</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Pleasure of the Text: Embodying Classical Theatrical Language through the Practice of Authentic Movement</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>377</TD><TD VALIGN=TOP>(15)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Judith Koltai</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Movement of All Things: Authentic Movement and Quantum Physics</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>392</TD><TD VALIGN=TOP>(14)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Marcia Plevin</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Moving the Outer Rim In: Authentic Movement and Nonviolence</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>406</TD><TD VALIGN=TOP>(10)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Lisa Tsetse</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=20></TD>
<TD>Part Five: Personal Stories</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Shadow and Other</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>416</TD><TD VALIGN=TOP>(4)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Sandy Dibbell-Hope</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Dances Left in Time and Space: Passing on Lineage with Grace</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>420</TD><TD VALIGN=TOP>(8)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Heidi Ehrenreich</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Unlocking, Unblocking the Temple Door</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>428</TD><TD VALIGN=TOP>(10)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Wendy Goulston</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>There is an Angel</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>438</TD><TD VALIGN=TOP>(1)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Soraya Jorge</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>The Seeker and the Seer</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>439</TD><TD VALIGN=TOP>(6)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Bill McCully</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Tracing the Brace</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>445</TD><TD VALIGN=TOP>(11)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Margareta Neuberger</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Riding the Wave's Edge</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>456</TD><TD VALIGN=TOP>(2)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Jan Sandman</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Moving and Seeing: Manhood Come Tumbling Down</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>458</TD><TD VALIGN=TOP>(9)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Sox Sperry</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Stirred to Action</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>467</TD><TD VALIGN=TOP>(3)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>David Mars</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=20></TD>
<TD>Part Six: After Notes</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Questions: Teaching the Discipline</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>470</TD><TD VALIGN=TOP>(4)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Janet Adler</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Guidelines in Practice: Authentic Movement in a Leaderless Group</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>474</TD><TD VALIGN=TOP>(5)</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Authentic Movement: Guidelines for a Providence Shared-Lead Group</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>479</TD><TD VALIGN=TOP>(3)</TD>
</TR>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=100></TD>
<TD>Lynn Garland</TD></TR>
</TABLE>
</TD>
</TR>
<TR><TD><TABLE CELLSPACING=0 CELLPADDING=0>
<TR><TD WIDTH=40></TD>
<TD>Resources</TD>
</TR>
</TABLE>
</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>482</TD><TD VALIGN=TOP>(12)</TD>
</TR>
<TR><TD>Contributors</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>494</TD><TD VALIGN=TOP>(8)</TD>
</TR>
<TR><TD>Subject Index</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>502</TD><TD VALIGN=TOP>(7)</TD>
</TR>
<TR><TD>Author Index</TD>
<TD WIDTH=40></TD>
<TD VALIGN=TOP>509</TD><TD></TD>

</TR>

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