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Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s

Popular Culture—Serial Culture

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Gebonden, blz. | Engels
Springer International Publishing | e druk, 2019
ISBN13: 9783030158941
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Juridisch :
Springer International Publishing e druk, 2019 9783030158941
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Samenvatting

This volume examines the emergence of modern popular culture between the 1830s and the 1860s, when popular storytelling meant serial storytelling and when new printing techniques and an expanding infrastructure brought serial entertainment to the masses. Analyzing fiction and non-fiction narratives from the United States, France, Great Britain, Germany, Austria, Turkey, and Brazil, Popular Culture—Serial Culture offers a transnational perspective on border-crossing serial genres from the roman feuilleton and the city mystery novel to abolitionist gift books and world’s fairs.

Specificaties

ISBN13:9783030158941
Taal:Engels
Bindwijze:gebonden
Uitgever:Springer International Publishing

Inhoudsopgave

<div>1 Introducing Popular Culture—Serial Culture: Serial Narrative in Transnational Perspective, 1830s–1860s 1</div><div>Daniel Stein and Lisanna Wiele Part I The Transnational Spread of the Feuilleton Novel 17 2 The Beginnings of the Feuilleton Novel in France and the</div><div>German-Speaking Regions 19 Norbert Bachleitner 3 Spectacular, Spectacular: Early Paris Mysteries and Dramas 49</div><div>Walburga Hülk</div><div>4 The Interaction between Serial Fictions and Nonfictional Texts in the Kölnische Zeitung in the 1850s and 1860s 65</div><div>Fabian Grumbrecht</div>5 Brazilian–French Cultural Contact in a Serial Format: The Revista Popular (Rio de Janeiro, 1859–1862) 81</div><div>Ricarda MusseIntroducing Popular Culture—Serial Culture: SerialNarrative in Transnational Perspective, 1830s–1860s</div><div><div>6 A Distant Reading of the Ottoman/Turkish Serial Novel Tradition (1831–1908) 95</div><div>Reyhan Tutumlu and Ali Serdar</div><div>Part II The Antebellum Literary Market: Authors,</div><div>Publishers, Institutions 115</div><div>7 Between Hamburg and Boston: Frederick Gleason and the Rise of Serial Fiction in the United States 117</div><div>Ronald J. Zboray and Mary Saracino Zboray</div><div>8 The Serial Character of Abolition: Charting Transatlantic and Gendered Critiques of Slavery in The Liberty Bell 145</div><div>Pia Wiegmink</div><div>9 Ride with Capitola: E.D.E.N. Southworth’s The Hidden Hand as a “Loud Text” in Serial Antebellum Culture 161</div><div>Gunter Süß</div><div>10 Counting (on) Crime in De Quincey and Poe: Seriality,Crime Statistics, and the Emergence of a Mass Literary</div><div>Market 175</div><div>Nicola Glaubitz</div><div>Part III The City Mystery Novel in England and the United</div><div>States 191</div><div>11 Serial Culture in the Nineteenth Century: G.W.M.Reynolds, the Many Mysteries of London, and the Spread of</div><div>Print 193</div>Mark W.Turner</div><div>12 The Media Mysteries of London 213</div><div>Tanja Weber</div><div><div>13 Of Ladies, Fruit Girls, and Brothel Madams: Womanhood&nbsp;and Female Sexuality in American City Mystery Novels 231</div><div>Heike Steinhoff</div><div>14 Dead Man Walking: On the Physical and Geographical&nbsp;Manifestations of Sociopolitical Narratives in George</div><div>Thompson’s City Crimes—or Life in New York and Boston 247</div><div>Lisanna Wiele</div><div>15 Henry Boernstein, Radical, and The Mysteries of St. Louis&nbsp;as a Political Novel 271</div><div>Matthias Göritz</div><div>16 Slavery as Racial Dis/order in Antebellum America: The&nbsp;Case of the City Mystery Novel 287</div><div>Daniel Stein</div><div>17 (Re-)Making American Culture: The Crystal Palace and&nbsp;the Transnational Series and Adaptations of Antebellum</div><div>New York City 311</div><div>Florian Groß</div><div>Index 329</div></div></div>

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        Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s