New Perspectives on the War Film

<div>Foreword; Robert Burgoyne..- Introduction; Clémentine Tholas-Disset, Janis Goldie, and Karen A. Ritzenhoff.- 1.Women and Nation in Films of the Great War;&nbsp;Thomas J. Saunders.-&nbsp;2.&nbsp;Vamps and Virgins: The Women of 1920s Hollywood War Romances;&nbsp;Liz Clarke.-&nbsp;3.&nbsp;Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator's Perspective;&nbsp;Yael Munk.-&nbsp;4.The Other Fights Back: Indigenizing the War Film;&nbsp;Jennifer Gauthier.-&nbsp;5: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How silent war films discuss homosexuality and gender representations during World War One;&nbsp;Clémentine Tholas.-&nbsp;6.&nbsp;Black Skin, White Faces: Dead Presidents, and the African-American Vietnam Veteran;&nbsp;Kathleen McClancy.-&nbsp;7.&nbsp;“So long as they are maintaining a bona fide family relationship&nbsp;in the home”: Women in WWII American Film Propaganda;&nbsp;Zachary Baqué.-&nbsp;8.&nbsp;Post-Socialist Hauntings in Vietnamese Revisionist Cinema;&nbsp;Thong Win.-&nbsp;9.&nbsp; The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century;&nbsp;Dahlia Schweitzer.-&nbsp;10.&nbsp;Rebelle Rebel: African Child Soldiers, Gender, and the War Film;&nbsp;Janis L. Goldie.-&nbsp;11.&nbsp;Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008);&nbsp;Elena Caoduro.-&nbsp;12: The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers&nbsp;for White Vulnerable Bodies;&nbsp;Zachary Powell.&nbsp;</div>