'Bad' Women of Bombay Films

<div>1.&nbsp;Introduction: Breaking Bad.-&nbsp;The Disorderly Presence at Home.-&nbsp;2.&nbsp;Desire, Deviancy and Defiance in Bombay Cinema (1937-1960).-&nbsp;3.&nbsp;“haan, haan mein alaida hoon!”&nbsp;(Yes, yes I am different!): the Disorderly Bibi in&nbsp;Sahib, Bibi aur Ghulam (1962).-&nbsp;4.&nbsp;The Goddess of Mean Things: the Mother-in-law in Hindi Films.-&nbsp;5.&nbsp;“ek admi tha, usne shadi karli!”&nbsp;(“There was a man who got married!”): Female Agency and Domestication in&nbsp;Omkara&nbsp;(2006).-&nbsp;The Business of the Body.-&nbsp;6.&nbsp;The Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941;&nbsp;Chitralekha, 1964;&nbsp;Amrapali, 1966).-&nbsp;7.&nbsp;Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015).-&nbsp;8.&nbsp;The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s.-&nbsp;9.&nbsp;Guns, Gangsters and&nbsp;“Gandagi”: the Moll in Hindi Cinema.-&nbsp;10.&nbsp;Sex Workers in Hindi Cinema: Imagos and Realities.-&nbsp;The Question of Violence.-&nbsp;11.&nbsp;The Caged Woman: Female Guilt, Desire and Transgression in&nbsp;Bandini&nbsp;(1963).-&nbsp;12.&nbsp;“itni bhhi mahaan main nahi hoon, raja!”&nbsp;(“I’m not that great, O king”): the Angry Young Woman of the 1970s.-&nbsp;13.&nbsp;Outcast[e] / Outlawed:&nbsp;The Bandit Queen&nbsp;(1996).-&nbsp;14.&nbsp;The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s.-&nbsp;15.&nbsp;Honoured Mother and ‘Honour’ Killing: Ammaji in NH10&nbsp;(2015).-&nbsp;The Advent&nbsp; of the New Woman.-&nbsp;16.&nbsp;Of Pallus and Pants: Fabricating the New Woman of the New Nation.-&nbsp;Andaz&nbsp;(1949),&nbsp;Mr. and Mrs. 55&nbsp;(1955),&nbsp;Shri 420&nbsp; (1955).-&nbsp;17.&nbsp;Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in&nbsp;Hum Aapke Hain Koun&nbsp;(1994) and&nbsp;Zindagi Na Milegi Dobara&nbsp;(2011).-&nbsp;18.&nbsp;Twenty-first century Heroines: Modernity in Cocktail (2012),&nbsp;Queen&nbsp;(2014) and&nbsp;Highway&nbsp;(2014).-&nbsp;19.&nbsp;Curiosity, Consent and Desire in&nbsp;Masaan&nbsp;(2015),&nbsp;Pink&nbsp;(2016),&nbsp;Lipstick Under My Burkha&nbsp;(2016) and&nbsp;Veere Di Wedding&nbsp;(2018).-&nbsp;The Screening of the Actress.-&nbsp;20.&nbsp;“naye naam nit naye roop dhar”&nbsp;(Don new names and new forms daily): the Figure of the Actress in Hindi Cinema.-&nbsp;21.&nbsp;Playing&nbsp;Anaarkali: Gender, Morality and Erotica.&nbsp;</div>