Screen Production Research

<div><div>1.&nbsp;Introduction.- 2.&nbsp;&nbsp;A ‘Logical’ Explanation of Screen Production as Method-Led Research -&nbsp;Susan Kerrigan.- 3.&nbsp;Lights, Camera, Research: The Specificity of Research in Screen Production -&nbsp;Leo Berkeley.- 4.&nbsp;The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research -&nbsp;Desmond Bell.- 5.&nbsp;Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact -&nbsp;Craig Batty and Dallas J Baker.- 6.&nbsp;Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice -&nbsp;Phillip McIntyre.- 7.&nbsp;Ethnography and Screen Production Research -&nbsp;Marsha Berry.- 8.&nbsp;Method in Madness: a Case Study in Practice Research Methods - &nbsp;Erik Knudsen.- 9.&nbsp;Cinematography: Practice as Research, Research into Practice -&nbsp;Cathy Greenhalgh.- 10.&nbsp;Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India -&nbsp;Aparna Sharma.- 11.&nbsp;Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary -&nbsp;Bettina Frankham.- 12.&nbsp;Peter Kennedy’s The Photographs’ Story: the Dialectical Image as Research -&nbsp;John Hughes.- 13.&nbsp;The Naïve Researcher, Resisting Methodology: a PhD Experience -&nbsp;Smiljana Glisovic.- 14.&nbsp;Afterword: Tacit Knowledge and Affect – Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. </div></div><div><br></div>