Performance Phenomenology

<div>1. Introduction;&nbsp;Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner.- 2.&nbsp;The Essential Question: So what’s phenomenological about Performance Phenomenology?;&nbsp;Stuart Grant.- 3.&nbsp;Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications;&nbsp;Maxine Sheets-Johnstone.- 4.&nbsp;The unnamed origin of the performative in Heidegger’s interpretation of Aristotelian Phronēsis;&nbsp;Stuart Grant.- 5.&nbsp;A Phenomenology of Being Seen;&nbsp;Sondra Fraleigh.- 6.&nbsp;‘A unique way of being’: The place of music in Merleau-Ponty’s Phenomenology of Perception;&nbsp;Marc Duby.- 7.&nbsp;Foregrounding the imagination: re-reflecting on dancers’ engagement with video self-recordings;&nbsp;Shantel Ehrenberg.- 8.&nbsp;Sensing Film Performance;&nbsp;Sean Redmond.- 9.&nbsp;Phenomenologically absurd, absurdly phenomenological;&nbsp;Jodie McNeilly-Renaudie and Pierre-Jean Renaudie.- 10.&nbsp;On Not Being Able to Dance: The Interring;&nbsp;Robert P. Crease.-11.&nbsp;Performance Criticism: Live writing as phenomenological poiēsis;&nbsp;Diana Damian Martin.- 12.&nbsp;The Erotic Reduction: Crossed flesh in Lea Anderson’s The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele;&nbsp;Nigel Stewart.- 13.&nbsp;Sound Design: A Phenomenology;&nbsp;Christopher Wenn.- 14.&nbsp;Acting without ‘meaning’ or ‘motivation’: A first-person account of acting in the pre-articulate world of immediate lived/living experience;&nbsp;Phillip B. Zarrilli.- 15.&nbsp;Thinking with Performance;&nbsp;Ian Maxwell.</div>