Acting One

<h4>Preface<h2>ACTING ONE<h4>Introduction<h2>PART I. PREPARATION FOR ACTING <h3>Lesson 1: Preparing to Act <h4>Relaxation / Exercise 1-1 Relaxation / Trust / Exercise 1-2 Spine Lengthening / Exuberance / Exercise 1-3 BAM-POW, Dance, Sing / Discipline / Criticism / A Playful Attitude / Freedom / Preparation<h3>Lesson 2: What Is Acting? <h4>Exercise 2-1 Pledge Your Allegiance to a Flag<h2>PART II. THE ACTOR'S APPROACH <h3>Lesson 3: Goal and Obstacle <h4>Fundamental Principle / Exercise 3-1 Reaching / Exercise 3-2 Reaching for Goals / Exercise 3-3 Overcoming an Obstacle / Self-Consciousness / Exercise 3-4 Doing vs. Being / Projection / Exercise 3-5 Resonating / Exercise 3-6 Resonating (A Continuation) / Exercise 3-7 Goals<h3>Lesson 4: Acting with the "Other" <h4>The Other / Exercise 4-1 Making Your Partner Smile / Interactive Dynamics / Exercise 4-2 Vulnerability / Exercise 4-3 Discovery / The Character / Tactics / Exercise 4-4 Using Tactics / Exercise 4-5 One Two Three Four Five Six Seven / Monologues / Exercise 4-6 Inventing the Other<h3>Lesson 5: Beginning to Act <h4>Contentless Scene / Exercise 5-1 Contentless Scene I / Intensifiers / Exercise 5-2 Intensifying / Physicalizers / Exercise 5-3 Varying Locale or Action / Exercise 5-4 Contentless Scene II<h3>Lesson 6: Tactics <h4>Punishment and Reward / Playing Tactics / Exercise 6-1 Frighten Your Partner / Exercise 6-2 Building Intensity / Exercise 6-3 Try to Make Your Partner Cry / Exercise 6-4 Movement and Contact / Exercise 6-5 Encourage Your Partner / Alternating Tactics / Exercise 6-6 Mixing Tactics / The Middle Ranges / Exercise 6-7 Eliminating the Extremes<h3>Lesson 7: Expectations <h4>Expecting Victory / Exercise 7-1 Playing Bored / Positive Goals / Exercise 7-2 Enthusiasm / Exercise 7-3 Try the Impossible / Eye Contact / Exercise 7-4 Tactics and Expectations<h3>Lesson 8: GOTE <h4>A Basic Method / "Get Your Character's GOTE" / Exercise 8-1 The GOTEsheet<h2>PART III. THE ACTOR'S TASK <h3>Lesson 9: Preparing a Role <h4>Finding Your Role / Finding Your "Character" / Editing a Scene / Memorization Methods / Cues: Action Cues and Line Cues / Studying the Part / Exercise 9-1 The Gentleman Caller I<h3>Lesson 10: Rehearsing <h4>Rehearsals / Undirected Rehearsals / Rehearsal Alternatives / Exercise 10-1 The Gentleman Caller II<h3>Lesson 11: Staging the Scene <h4>Stage Directions / Creating the Locale / Movement and Stage Business / Interesting Positions / Reaching the Audience / Exercise 11-1 Setting the Stage<h3>Lesson 12: Choices <h4>The Need for Choices / Good Choices / Exercise 12-1 Bold Choices<h3>Lesson 13: Performing <h4>Stage Fright / Classroom Performance / Play for Results--In the Other Character!<h3>Lesson 14: Evaluation and Improvement <h4>Helpful Criticism / Reworking / Exercise 14-1 Scene Presentation<h2>PART IV. THE ACTOR'S INSTRUMENT <h3>Lesson 15: The Actor's Voice <h4>Breathing / Exercise 15-1 Breathing from the Abdomen / Phonation: Making Sounds / Exercise 15-2 Sounding / Resonance / Exercise 15-3 Exploring Resonance / Pitch / Exercise 15-4 Exploring Your Pitch Range / A Stageworthy Voice / Exercise 15-5 Speaking with Resonance<h3>Lesson 16: Stage Speech <h4>Good Diction / Speech Sounds / Exercise 16-1 Vowels / Exercise 16-2 Repeating Syllables / Exercise 16-3 Consonants / Exercise 16-4 Speeches<h3>Lesson 17: Using Your Voice <h4>Liberation / Exercise 17-1 Rude Chants / Exercise 17-2 Rude Cheering / Exercise 17-3 Fancy Talk / Exercise 17-4 Address a Group / Purposefulness / Exercise 17-5 Adding Purpose<h3>Lesson 18: The Actor's Body <h4>Agility / Exercise 18-1 Fast Warm-Up / Alignment / Exercise 18-2 Improving Alignment / Walking / Exercise 18-3 Sixteen Walks / Exercise 18-4 Walk and Talk / Sitting and Standing / Exercise 18-5 Walk, Talk, Sit / Velocity: Accelerating, Decelerating, and Constant / Exercise 18-6 Acceleration/Deceleration / Counterpoise / Exercise 18-7 Contraposto / Exercise 18-8 Contraction/Extension / The Dynamics of Effort / Exercise 18-9 Distinct Movements / Exercise 18-10 To Be or Not to Be / Exercise 18-11 Walking and Kicking<h3>Lesson 19: Voice and Body Integration <h4>Coordination / Exercise 19-1 Commands / Exercise 19-2 Speeches with Business / Exercise 19-3 Physical Punctuation / Exercise 19-4 Physical Rhythms / Exercise 19-5 Verbal Rhythms / Pointing / Exercise 19-6 Pointing / Tempo / Exercise 19-7 Speech/Movement Timing / Actors with Disabilities<h3>Lesson 20: Imagination and Creativity <h4>Imagination / Creativity / Creativity and Imagination/ Using Your Fantasies / Exercise 20-1 Cold/Hot / Exercise 20-2 Age Regression/Advancement / Exercise 20-3 Facing an Imagined Death / Exercise 20-4 Facing Love / <h3>Lesson 21: Emotion and Acting Theory <h4>Exercise 21-1 Playing (with) Real Emotion I / Self-Consciousness / Exercise 21-2 Playing (with) Real Emotion II / <h2>PART V. THE ACTOR'S TECHNIQUE <h3>Lesson 22: Phrasing <h4>Diction / Open-Mouthed Speaking / Exercise 22-1 A Acting with Your Teeth / Exercise 22-1 B / Exercise 22-1 C / Developing Diction / Exercise 22-2 Repeated Sentences / Exercise 22-3 Shaw Speech / Emphasis / Exercise 22-4 Change of Emphasis / Exercise 22-5 Punctuate with Emphasis / Inflection / Exercise 22-6 Inflections / Phrasing<h3>Lesson 23: Attack <h4>The First Word / Physical Attack / Turn-Taking / Exercise 23-1 Turn-Taking Dialog / Preparing Strong Attacks / Exercise 23-2 Action Cues<h3>Lesson 24: Follow-Through<h4>The Hook / Questions as Questions / Statements as Questions / Exercise 24-1 Making Questions / Statements as Statements / Exercise 24-2 Argument-Enders / Trail-offs<h3>Lesson 25: Line Linkage <h4>Analyzing Dialog / Rising End-Inflections / Falling End-Inflections / Attack Inflections / Pauses / Long Speeches / Exercise 25-1 Line Linking / Exercise 25-2 The Long Speech / Line Linking in Practice<h3>Lesson 26: Scene Structure <h4>Breaking Down a Script / Choosing a Scene to Do in Class / Structural Characteristics / Transitions / Scene Breakdown / Exercise 26-1 Scene Structure in Action<h3>Lesson 27: Building a Scene <h4>Building and Topping / Exercise 27-1 Standard Build I / Exercise 27-2 Standard Build II / Exercise 27-3 Standard Build III / Cutting Back / Getting on Top / Pacing a Build / Complex Builds / Exercise 27-4 I Detest Monday / Exercise 27-5 I Detest January / Exercise 27-6 Come Here / Exercise 27-7 Building Molière<h3>Lesson 28: Creating a Monologue <h4>Going It Alone / The Monologue to Someone Else / The Soliloquy / Playing a Monologue or Soliloquy / Exercise 28-1 Prepare a Monologue / <h4>L'Envoi <h4>Glossary of Acting Terms<h4>Index