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Intersections in International Cultural Heritage Law

Specificaties
Gebonden, 448 blz. | Nederlands
Oxford University Press | 1e druk, 2020
ISBN13: 9780198846291
Rubricering
Hoofdrubriek : Juridisch
Oxford University Press 1e druk, 2020 9780198846291
Onderdeel van serie Cultural Heritage Law and Policy
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Samenvatting

The recent spate of threats to cultural heritage, including in Iraq, Mali, Nepal, Syria, and Yemen, has led to increased focus on the sources of international cultural heritage law. This edited volume shows that international cultural heritage law is not a discrete and contained body of law, but one whose component parts are drawn from diverse fields of public international law. It shows how cultural heritage law has been shaped by its interaction with other areas of international law, and how it has contributed to international law in turn.

In this volume, scholars and practitioners explore some of the primary points of intersection between international cultural heritage law and public international law. Chapters explore instersections with the law of armed conflict, international and transnational criminal law, international human rights, the international movement, regulation, and restitution of cultural artefacts, and the UN system. The result is a cohesive collection that not only explores many facets of the intersections of cultural heritage law and public international law, but also examines how the regimes operate together and how the relationship between them largely facilitates, but also sometimes hinders, the development of international law governing the protection of cultural heritage.

Specificaties

ISBN13:9780198846291
Taal:Nederlands
Bindwijze:gebonden
Aantal pagina's:448
Druk:1
Verschijningsdatum:20-5-2020
ISSN:

Over Anne-Marie Carstens

Anne-Marie Carstens is a Researcher at Georgetown University Law Center, where her research focuses on corollaries in international and domestic law for both cultural heritage and intellectual property protection. She previously served as Visiting Professor of Law at Georgetown Law and taught in Washington and London in the fields of international cultural heritage law, property law, and copyright and international intellectual property law. She holds a DPhil in Law from Oxford University, where her research focused on state obligations to protect cultural property, as well as a JD degree from Georgetown University.

Andere boeken door Anne-Marie Carstens

Over Elizabeth Varner

Elizabeth Varner is Museum Director of the US National Coast Guard Museum, an Adjunct Professor at Indiana University Robert H. McKinney School of Law where she teaches Art, Museum and Cultural Heritage Law as well as Entertainment Law, and a neutral (arbitration and mediation). She was formerly executive director of two museums and has previously worked for government agencies assisting with guiding the management and use of over 200 million cultural and scientific objects, working with international and public-private partnership issues, developing policies, addressing legal issues, protecting cultural property, and investigating, prosecuting, and repatriating cultural property. She has a MA from the Smithsonian-Corcoran College of Art + Design and a JD from Tulane University School of Law.

Andere boeken door Elizabeth Varner

Inhoudsopgave

Intersections in International Cultural Heritage Law: An Introduction, Anne-Marie Carstens and Elizabeth Varner

I. The Law of Armed Conflict and the Protection of Cultural Heritage
1: The Disposition of Movable Cultural Heritage, Patty Gerstenblith
2: Comparing Interpretations of States' and Non-State Actors' Obligations Toward Cultural Heritage in Armed Conflict and Occupation: Military Manuals and the Law of War, Elizabeth Varner
3: Military Intervention, the UN Security Council, and the Role of UNESCO: The Case of Mali, Sabine von Schorlemer

II. Cultural Heritage-Based Offences in International Criminal Law and in the International Legal Regime for Combatting Transnational Organized Crime
4: The Swinging Pendulum of Cultural Heritage Crimes in International Criminal Law, Anne-Marie Carstens
5: The Al Mahdi Case: From Punishing Perpetrators to Repairing Cultural Heritage Harm, Karolina Wierczynska and Andrzej Jakubowski
6: Trafficking in Cultural Property: Where Cultural Heritage Law and the International Fight against Transnational Organized Crime Coincide, Janet Blake

III. The United Nations System and the Protection of Cultural Heritage
7: The Role of UNESCO in the Elaboration and Implementation of Art, Cultural Property, and Heritage Law, Guido Carducci
8: The UN Security Council, the Human Rights Council, and the Protection of Cultural Heritage: A Matter of Peace and Security, Human Rights, or Both?, Kristin Hausler
9: The International Court of Justice and Cultural Heritage: International Cultural Heritage Law Through the Lenses of the World Court Jurisprudence?, Gabriele Gagliani

IV. Special Legal Regimes for World Cultural Heritage and Underwater Cultural Heritage
10: The World Heritage Convention and the Law of State Responsibility: Promises and Pitfalls, Lucas Lixinski and Vassilis P Tzevelekos
11: Nested Boxes: Tangible Cultural Heritage and Environmental Protection in Light of Climate Change, Ottavio Quirico
12: The 2001 UNESCO Convention on the Protection of the Underwater Cultural Heritage and Its Principles Relating to the Recovery and Disposition of Material from Shipwrecks, Sarah Dromgoole

V. The Intersections of International, National, and Community Interests in Cultural Heritage
13: Bridging the Gap Between International Human Rights and International Cultural Heritage Law Instruments: A Functions Approach, Vanessa Tünsmeyer
14: Developments Concerning Immunity from Seizure for Cultural State Property on Loan, Nout van Woudenberg
15: Nationalism versus Internationalism: New Perspectives Beyond State Sovereignty and Territoriality in the Protection of Cultural Heritage, Robert Peters

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