Introduction; Nicolás Salazar Sutil and Sita Popat<br/>PART I: HISTORIES<br/>1. Oskar Schlemmer's Programmatic Gesture Research; Sally Jane Norman <br/>2. Intelligence Behind Movement: Laboratories of Biomechanics and the Making of Movement Utopia; Nicolás Salazar Sutil<br/>PART II: GESTURE AND THE DIGITAL OBJECT<br/>3. Mathematical Movement: Gesture; Brian Rotman<br/>4. Virtual Choreographic Objects; Stamatia Portanova <br/>5. catch/bounce: Stack Overflows and Digital Actions; James Charlton <br/>PART III: MOVEMENT INSCRIPTION/MOVEMENT PERFORMANCE<br/>6. Movement and 21st Century Literacy; Maaike Bleeker <br/>7. Movement Scripts: the Materialisation of Movement through Digital Media; Lise Amy Hansen<br/>8. Performativity of Movement: Coding, Segmentation and the Valorization of User Behaviour in the Development of Smart TV Technology; Wan-Gi Lee<br/>PART IV: TECHNOLOGY AND MATERIALITY<br/>9. Moving, Withdrawing and the Uncanny; Sita Popat<br/>10. Digitising Dance Costumes: a Case Study of Movement and Materiality in iWeave; Rachel Fensham and John Collomosse<br/>11. Gestural Materialities and the Worn Dispositif; Johannes Birringer<br/>PART V: MOTION, TECHNOLOGY, INTERACTION, PERFORMANCE<br/>12. Communication through Haptic Interaction in Digital Performance; Doros Polydorou, Tychonas Michailidis and Jamie Bullock<br/>13. I _CARE_US: Flying Robots and Human-Robot Interaction in Digital Performance; Fernando Nabais<br/>14. Studying the Impact of Embodiment on Creativity in Computer Tool Use; Nicholas Toothman, Tyler Martin and Michael Neff<br/>PART VI: DIGITAL MOVEMENT AS EMERGENT ART PRACTICE<br/>15. Practising Choreography: Digital Movement as Emergent Praxis; Thecla Schiphorst and Thomas Calvert<br/>16. Dance without bodies: using Motion Capture and Particle Animation to create No-body Movement; Martine Époque & Denis Poulin<br/>Conclusion: Reflections, Interventions, and the Dramaturgy of Tracking; Mark Coniglio<br/>