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Music in Theory and Practice Volume 2

Specificaties
Paperback, blz. | Engels
McGraw-Hill Education | 10e druk, 2020
ISBN13: 9781260493559
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Juridisch :
McGraw-Hill Education 10e druk, 2020 9781260493559
Verwachte levertijd ongeveer 11 werkdagen

Samenvatting

This best-selling program gives music majors and minors a solid foundation in the theory of music. Music in Theory and Practice 10e strengthens musical intuition, builds technical skills, and helps gain interpretive insights. The goal of the content is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. 

The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded program that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.

Resources available from the Connect Online Learning Center include printable versions of the Instructor’s Manuals and Workbook Solutions Manuals, audio files, assignment templates compatible with Finale® Music Notation software, supplementary drill assignments, testing materials, and recordings. Audio files available for this edition of Music in Theory and Practice are identified throughout the texts and workbooks with the ♫ graphic.  

Specificaties

ISBN13:9781260493559
Taal:Engels
Bindwijze:paperback
Druk:10

Inhoudsopgave

Preface<br><br>Part C: The Renaissance And Baroque Periods<br>Chp. 18: Late Renaissance Polyphony<br>Chp. 19: Two-Voice Eighteenth Century Counterpoint<br>Chp. 20: The Fugue<br><br>Part D: Chromatic Harmony<br>Chp. 21: Borrowed Chords<br>Chp. 22: Neapolitan 6th Chords<br>Chp. 23: Augmented 6th Chords<br><br>Part E: The Classical Period&nbsp;<br>Chp. 24: Variation Technique<br>Chp. 25: Sonata Form<br>Chp. 26: Rondo Forms<br><br>Part F: Extended And Chromatic Harmony<br>Chp. 27: 9th,11th, and 13th Chords<br>Chp. 28: Altered Dominants<br>Chp. 29: Chromatic Mediants<br><br>Part G: The Nineteenth And Twentieth Centuries<br>Chp. 30: The Romantic Period&nbsp;<br>Chp. 31: The Post-Romantic Style<br>Chp. 32: Impressionism and Related Styles<br>Chp. 33: The Early Twentieth Century<br>Chp. 34: Pitch-Class Set Theory<br>Chp. 35: Twelve-Tone Technique<br>Postlude: Music Since 1945<br><br>Appendix G Summary of Part-Writing Practices<br>Appendix H Macro Analysis Symbols<br>Appendix I Popular Music Chord Symbols<br><br><br>Glossary<br>Credits<br>Index<br>

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        Music in Theory and Practice Volume 2